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Bibliophile. Horse addict. Animal lover. Musician. Disney lover. Potterhead. Musical Theater nerd. Fangirl (I don't do calm!) Potterhead (always!) NCIS Special Agent. Constable. Rohirrim. Renthead. Ozian.

I dare you to challenge me to Harry Potter trivia. You'll lose. Embarrassingly.

My kids someday will have paws and hooves.

Concerning My Stories:

My stories are old... I plan on retiring from fanfic if I ever can figure out the last chapter of "Remember Me."

Guest Reviews are enabled, so those of you who don’t have an account can still read and leave reviews. Constructive criticism is always appreciated.

Quotes!!

“Maybe some women aren't meant to be tamed. Maybe they just need to run free til they find someone just as wild to run with them." - Carrie Bradshaw

"The things we lose have a way of coming back to us in the end, even if it's not the way we expect it to." Luna Lovegood (Harry Potter and the Order of the Pheonix)

"It's not our abilities that who show us who we really are, it is our choices." Albus Dumbledore (Harry Potter and the Sorcerer's Stone)

"Merry Christmas, bitches!" Collins (Rent)

Doctors have to understand that women are not just small men. (Dr. Emerson, Strong Medicine)

Curses! I would grab the wrong umbrella! (Penguin, "Batman: The Animated Series, 'Almost Got 'Em')

Why do they always insist on announcing dinner like a damn cavalry charge? (Molly Brown, Titanic)

Sometimes it is the people that no one imagines anything of who do the things no one can imagine. (Christopher Morcom, The Imitation Game)

Rafiki: Oh yes, the past can hurt. But the way I see it, you can either run from it or learn from it. (The Lion King)

Grandmother Willow: Sometimes the right path is not the easiest one.

Mordo: Bathe. Rest. Meditate- if you can.

Wong: I am now the guardian of these books. So if a volume from this collection should be stolen again, I'd know it. And you'd be dead before you ever left the compound. (Shuts book in Strange's face)
Strange: (sarcastically) What if it's just overdue? Any late fees I should know about? Maiming, perhaps?

Ancient One: Once in this room, you begged me to let you learn. Now I'm told you question every lesson, preferring to teach yourself.
Strange: Once in this room, you told me to open my eyes. Now I'm being told to blindly accept rules that make no sense.
Ancient One: (shrewdly) Like the rules against conjuring a gateway in the library?
Strange: Wong told on me?

Mordo: Trust your teacher, and don't lose your way.

Mordo: No more questions.
Strange: What's that? (Mordo's relic)
Mordo: (points relic at Strange) That's a question.

Strange: When do I get my relic?
Mordo: (grins) When you're ready.

Mordo: Stop!!! Tampering with the continuum of probability is forbidden!
Strange: I... I wa... I was just doing exactly what it said in the book!
Wong: And what did the book say about the dangers of performing that ritual?
Strange: Yeah, I don't know. I hadn't gotten to that part yet.
Mordo: Temporal manipulations can create branches in time. Unstable dimensional openings. Spacious paradoxes! Time loops!!! You want to get stuck reliving the same moment over, and over, forever, or never having existed at all?
Strange: They really should put the warnings before that stuff.

Strange: (to Christine, in an OR) I'm gonna have to vanish now. Keep me alive, will you?

Strange: (startling Christine with his astral form) Hit me again!
Christine: (gasps) Stop doing that!
Strange: Up the voltage and hit me again!
Christine: No, your heart's beating!
Strange: Just do it!

Strange: Breaking the laws of nature, I know.
Wong: Well, don't stop now!

Strange: I think he really should have stolen the whole book, because the warnings... the warnings come after the spells. (Wong laughs and Strange raises his eyebrows in an "Okay" expression)
- Doctor Strange (2016)

Stop!!! Tampering with the continuum of probability is forbidden! I... I wa... I was just doing exactly what it said in the book! And what did the book say about the dangers of performing that ritual? Yeah, I don't know. I hadn't gotten to that part yet. Temporal manipulations can create branches in time. Unstable dimensional openings. Spacious paradoxes! Time loops!!! You want to get stuck reliving the same moment over, and over, forever, or never having existed at all? They really should put the warnings before that stuff.

Read more: https:///movie_script.php?movie=doctor-strange-2016

Stop!!! Tampering with the continuum of probability is forbidden! I... I wa... I was just doing exactly what it said in the book! And what did the book say about the dangers of performing that ritual? Yeah, I don't know. I hadn't gotten to that part yet. Temporal manipulations can create branches in time. Unstable dimensional openings. Spacious paradoxes! Time loops!!! You want to get stuck reliving the same moment over, and over, forever, or never having existed at all? They really should put the warnings before that stuff.

Read more: https:///movie_script.php?movie=doctor-strange-2016

Stop!!! Tampering with the continuum of probability is forbidden! I... I wa... I was just doing exactly what it said in the book! And what did the book say about the dangers of performing that ritual? Yeah, I don't know. I hadn't gotten to that part yet. Temporal manipulations can create branches in time. Unstable dimensional openings. Spacious paradoxes! Time loops!!! You want to get stuck reliving the same moment over, and over, forever, or never having existed at all? They really should put the warnings before that stuff.

Read more: https:///movie_script.php?movie=doctor-strange-2016

Ed: Officer Wordsworth, what do I- what do I tell the parents?
Wordy: Tell them- tell them to remember their Gilbert and Sullivan? (Starts to sing, Ed joins in) "When constabulary duties to be done...
Wordy: "To be done...
Both: "A policeman's job is not a happy one!
Wordy: "Happy one!"
(They both salute her as they walk to the car. Sophie "okays," shuts the door, Ed and Wordy high-five, and walk, laughing, to the car.)

Jules: Every day is Jules Day.

Sam: Why don't you just Tase his ass?
Ed: Muscle spasm- he'll pull the trigger.
Sam: So we go in hard tactical.
Ed: Yeah, I was just getting to that. Look, something I need you to do. All right, see these stairs here? That's where we came in, right? Need you to make a reverse entry. Go across this hallway, these doors here. I need you to go through them. Now, be careful, because that is a big road. I want you to cross it. I want you to make an entry into this Timmy's. I'll have a double-double. Jules.
Jules: Cream, no sugar.
Ed: Spike?
Spike: No, I'm good.
Sam: You serious?
(Ed doesn't move, then Sam sighs and gets up and leaves.)
Jules (under her breath): You went all coffee shop on his ass?
(Ed chuckles and grins.)

Ed: You taught me everything I know. You made me who I am, Danny. You can't- you can't tell me that this is how it ends.
(Flashpoint, "Haunting the Barn")

Spike: What are you talking about, "this big"? (Holds his fingers a few inches apart) What is that supposed to be? That's not even a letter opener. What are you doing that? You know, you shouldn't that to a guy, ever.
(Flashpoint, "Aisle 13")

Lou: Spike-
Spike: Yeah, buddy? Lou?
Lou: It's gonna be okay.
(Flashpoint, "One Wrong Move")

Ed: This is an MP-5 submachine gun. Fires 800 rounds per minute, 400 meters per second. So unless you want a demonstration, I suggest you put the gun down and we can talk about this.
(Flashpoint, "The Farm")

Dr. Toth (word associating): Freedom?
Spike: Feminine supplies. (Grins at Greg Parker, who smirks.)

Dominic Scarlatti: Every day, this is my life, waiting for the phone to ring, the officer at the door. You bring this in our house.
Spike: Pa, I don't think now is the time, okay?
Michelina Scarlatti: Sit down, a-please.
Dominic Scarlatti: Every day, you go out there and you play the hero.
Spike: "Play"? What, you think this is a game?
Dominic Scarlatti: Today, your friend does. Tomorrow, my son dies.
Spike: One day, we all die, okay?! (Dominic scoffs and leaves the table, Spike yells) At least you try to make it mean something!
Michelina: Mike-!
Spike (yells): Pa!
(Spike throws the wine bottle against the wall, and it smashes. Michelina screams.)
(Flashpoint, "Fault Lines")

Greg: I walked away from my team, Ed. I walked away from you and I am so sorry. I'm so sorry.
Ed: Buddy, do the math on this. How many times have you been there for me? I have nothing but respect for you, Greg, and you never have to apologize to me for anything.
Greg: I've got no words for you, my friend. I've got no words for you. No words to describe what you've done for me and who you are to me.
Ed: Okay, so what's the deal here? What's your decision? Whatever it is, it's okay. (Greg holds up some papers.) What's that, your suspension papers?
Greg: Yeah. Here, you do it.
Ed: What're you saying?
Greg (smiles): Let's keep the peace!
(Flashpoint, "Slow Burn")

Ed: Hey, you remember a couple years ago when I had to shoot Goran Tomasic? And you said to me, "Buddy, you might wanna do the math on all the 'I'm fine's? I never said thank you.
Greg: You're more than fine, buddy. You're more than fine.

Ed: Guys, to, uh... to absent friends. To Donna and Lew. Team One.
(Flashpoint, "Keep the Peace, Part 2")

Flashpoint
2008-2013
RIP, Lewis Young and Donna Sabine
Forever In Our Hearts
Keep the Peace!

Fraser: Excuse me, I'm looking for a Detective... Armani?
Ray: Okay, who let the mountie into the holding cell?

Fraser: She shot my hat, Ray.
Ray: She shot you in the hat?
Fraser: I can feel air coming in through the hole.
Ray: You shot you in the hat all right.
Fraser: How's it look?
Ray: Doesn't look good.
Fraser: We'll hafta go home and get my other one.
Ray: We can do that, Fraser.
Fraser: Thanks, Ray.
(Due South, "Free Willie")

Ray: Oh! No! You're tasting things again?! Ah! That is the grossest thing that I have ever seen!

Ray: I've never been so humiliated in my entire life. I'm in a canoe with two wounded mounties and I'm being humiliated by rats!

Ray: Hello, Ms. Broccoli... Ma! What are you doing, calling me on my private line?!

Ray: Why am I covered in crud and you look like you just got back from a hand laundry?

Ray: What is it?
Fraser: Parasites.
Ray: Those were on me?!
Fraser: Yes.
(Ray squeals and jumps out of the dumpster. Fraser climbs up the dumpster and looks down over it.)
Fraser: Ray?
Ray (in the shower): These things wash off, right?
Fraser: Parasites? Yes, of course. Although, there's always the chance that they laid eggs.
Ray: More soap! Give me more soap!

Ray: I am naked in here! Does that mean anything to anybody?
(Due South, "They Eat Horses, Don't They?")

Fraser: You are under!-
(Janice points a gun at him)
Fraser: Oh dear!
(Fraser ducks as Janice shoots six times)
(Due South, "Chicago Holiday, Part 2")

Fraser: Well, that's just silly, Ray.

Fraser: I sharpened my buckle.
Ray: You anticipated cutting your way out of a rubber room?!
(Due South, "A Hawk and a Handsaw")

Ray: I don't wanna be nothing anymore, Fraser! It's hard on my socks!
(Due South, "The Man Who Knew Too Little")

Fraser: We're going now. We're leaving. We will not return!
(Dief runs out, even though he's supposed to be deaf, and loads onto the plane.)

Ray: Yes, how far do you think you're gonna get with that gash on your head?
Fraser: Oh, Ray, head wounds always look worse than they actually are. Can you give me a reading?
Ray: Ah, it's your compass. You read it.
Fraser: I can't.
Ray: Well, neither can I.
Fraser: Well, you'll have to.
Ray: Why?
Fraser: I'm blind.
Ray (does that wide-eyed look): You're blind?
Fraser: Apparently.
Ray: You're-you're really, really blind?
Fraser: As a bat.

Ray: Well, uh, I see, uh, trees.
Fraser: Good. Describe them.
Ray: Green, mostly.

Ray: Fraser, look out!
Fraser: What?
Ray: Duck!
Fraser: What?
Ray: Now!
Fraser: Oh. (Ducks)
(Due South, "North")

Fraser: Sergeant Frobisher! Before you continue, may I have a word with you?
Frobisher: Friend or foe?
Fraser: A friend, I assure you!
Frobisher: Where are you?
Fraser: I'm right here, sir!
Frobisher: In the sink?
Fraser: Uh, uh, no, sir. To the rear!
(Frobisher turns and finds Benton's face underneath the hole of the toilet.)
Frobisher: Great Scott, Benton?!
Fraser: I'm relieved to see you're alright, sir.
Frobisher: That's a matter of opinion. What are you doing in my toilet?
Fraser: Well, I've come to debrief you, sir.
Frobisher: Something wrong with the door?
Fraser: We have a problem, sir. I believe that the men have all been gassed.
Frobisher: Oh my God.
Fraser: Yes. And furthermore, it's my belief that this train is no longer under our control.
Frobisher: Worse than I thought.
Fraser: Yes, sir. And I thought it prudent to inform you.
Frobisher: Inform me? I've been living with it for a week!

Robert Fraser: Well, I'm dead! It affects your memory!

Fraser (to Thatcher): Red suits you.
(Due South, "All The Queen's Horses")

Thatcher (using semaphore): Moron.
Ray: What did she say?
Fraser: She called me a moron.
Ray: She's a very perceptive woman.

Ray: Oh, did they say bonds? I thought they said bombs!

Fraser (to Diefenbaker): This kinda remind you of a bear trap?

Thatcher (using semaphore): You have duties, Constable.
Fraser (responding in semaphore): Understood.
Fraser (semaphore): Red suits you.
(Inspector Thatcher smiles from below.)
(Due South, "Red, White, or Blue")

Fraser: Can you throw?
Thatcher: One-point-three ERA over 30 games.
Fraser: That's very good. Hit the red button.

Fraser: Well, I'm sorry. It's just I was so pleasantly surprised to see you, that I-
Ray: - said something completely stupid?
Fraser: Yes.

Ray: What are you grinning about?
Fraser: I knew you two would hit it off. (Pats both Rays on the backs)

Fraser: Francesca. I've been thinking about what you said about our, uh, and I, uh, I know I don't often say, um, I mean, I'm not particularly skilled at expressing...
Kowalski (grumbles): Frannie, he likes you.
Frannie: I know.
Fraser: I'm glad.
(Due South, "Call of the Wild, Part 1")

Bob Fraser: Why do villains have such hard heads?

Fraser: Ray, look, turtles!
Kowalski: Turtles?
(Kowalski yells as Fraser pushes him out of the plane, then follows. They both plummet into a massive snowbank)
Fraser: Ray? You alright?
Kowalski: I'm under 30 feet of snow. How could that be alright?
Fraser: Well, you're alive. Start digging.

Kowalski: Look, we're 100 miles from nowhere, on a frozen wasteland, and you're grinning like an idiot.
Fraser: I'm home.

Bob Fraser (punches Muldoon in the face): I don't know why anyone ever does that. Lord, that hurts.
(Due South, "Call of the Wild, Part 2")

Sherlock: Shut up!
Lestrade: I didn't say anything.
Sherlock: You were thinking. It's annoying.

Sherlock: I'm in shock! Look, I've got a blanket!
(Sherlock, "A Study in Pink")

John: No, I'm Sherlock Holmes, and I always work alone, because no one else can compete with my massive intellect!

Sherlock: How would you describe me, John? Resourceful? Dynamic? Enigmatic?
John (tetchily): Late?
(Sherlock, "The Blind Banker")

(Sherlock shoots a smiley face on the wall four times)
John (coming up the stairs with his fingers in his ears): What the HELL are you doing?
Sherlock (mutters): Bored.
Watson: What?
Sherlock (louder): Bored!
John: No... (Gunshot)
Sherlock: Bored! (Gunshot)
Sherlock: Bored!
Sherlock: I don't know what's gotten into the criminal classes. It's a good job I'm not one of them.
John: So you take it out on the wall?
Sherlock: The wall had it coming.

Sherlock (softly): The curtain rises.
(Sherlock, "The Great Game")

John: There is a mute button and I will use it.

(Mycroft steps on Sherlock's robe and it falls off him, nearly revealing him. He manages to pull it over his rear before it fully does.)
Mycroft: This is a matter of national importance. Grow up!
Sherlock: Get off my sheet!
Mycroft: Or what?
Sherlock: Or I'll just walk away.
Mycroft: I'll let you.

Mycroft: I'll be Mother.
Sherlock: And there is a whole childhood in a nutshell.

Sherlock: Punch me in the face.
John: Punch you?
Sherlock: Yes, punch me. In the face. Didn't you hear me?
John: I always hear "Punch me in the face" when you're speaking, but it's usually sub-text.
Sherlock: Oh, for God's sakes.
(Sherlock punches John in the face. John punches him back, then grabs him in a stranglehold.)
Sherlock: Okay, I think we're done now, John.
John: I think you ought to remember, Sherlock, I was a soldier! I killed people!
Sherlock: You were a doctor!
John: I had bad days!

Sherlock: Noises are important. Noises can tell you everything. For instance... (Out in the hallway, John has set off the smoke alarm by setting a magazine on fire enough to seriously smoke. Irene and Sherlock look toward the noise, as John waves and blows on the magazine. Then Irene looks toward the mirror. A moment later, so does Sherlock.) Thank you. On hearing a smoke alarm, a mother would look towards her child. Amazing how fire exposes our priorities. (Sherlock walks over to the mirror, feels around for a moment, then it clicks and lifts open hydraulically. Sherlock turns and looks at Irene, who stands.) Really hope you don't have a baby in here.

Sherlock: Vatican cameos!

John: We should call the police.
Sherlock: Yes. (Fires five shots in the air outside the building. Tires screech.) On their way. (Sherlock, "A Scandal In Belgravia")

Sherlock (holding up the cap and twisting it back and forth): Why's it got two fronts?
John: It's a deer stalker.
Sherlock (makes to throw it like a frisbee): Is it some sort of death frisbee?
Sherlock: It's got flaps. It's got two flaps. It's an ear hat, John!

Sherlock: I may be on the side of the angels, but don't think for one second that I am one of them.

Sherlock: Well, the short version... not. dead. Bit mean, springing it on you like that. Could have given you a heart attack, probably still will. But in my defense, it was very funny. (John glares) Okay, it's not a great defense.
Mary Morsten: Oh no, you're...
Sherlock: Oh yes.
Mary Morsten: Oh my God!
Sherlock: No, not quite.
Mary Morsten: You died. You jumped off a roof.
Sherlock: No.
Mary Morsten: You're dead.
Sherlock: No, I'm quite sure. I checked.

(Lestrade is in an alleyway, out for a smoke break. He pulls out his cigarette and lighter and flicks the lighter on. From the darkness...)
Sherlock: Those things will kill you.
(Lestrade freezes.) Lestrade: Oh, you bastard!
(Sherlock appears out of the darkness and Lestrade turns to look at him.)
Sherlock (smiling): It's time to come back. You've been letting things slide, Graham.
Lestrade: Greg.
Sherlock: Greg.
(Lestrade stares at Sherlock for a long moment, then suddenly inhales a breath and pulls him into a big bear hug. Sherlock, groaning in pain, accepts it.)

(Mycroft is playing Operation with Sherlock, because Sherlock thinks he's lonely. Mycroft touches the edge of the board's heart and it buzzes.)
Mycroft: Oh, bugger!
Sherlock: Oopsy. Can't handle a broken heart. How very telling.

Sherlock: Let's do deductions. Client left this while I was out, what do you reckon?
(Sherlock tosses an old stocking cap to Mycroft in slow-motion.)
Mycroft: I'm busy.
Sherlock: Oh, go on. It's been an age.
Mycroft (sniffs the hat): I always win.
Sherlock: Which is why you can't resist.
Mycroft: I find nothing irresistible in the hat of a well-traveled, anxious, sentimental, unfit creature of habit with appalling halitosis... (Realizes he's been had) Damn!

Sherlock (drunk): Ah, Hudders...

Lestrade (yells): Wakey wakey!
John (softly): Oh my God. Greg? Is that Greg?
Lestrade: Get up. I'm going to put you two in a taxi. Managed to square things with the desk sergeant. (Chuckles) What a couple of lightweights! You couldn't even make it to closing time!
John (softly): Can you whisper?
Lestrade (yells): NOT REALLY!
(Sherlock, who is still passed out, startles awake. John walks past Lestrade and Sherlock uses his mind palace to remember how to stand up again, then follows them out of the cell.)

Sherlock (angrily, as he punches a door clean off its hinges): For God's sakes, John! I'm on a case!
John (following him down the fire escape): A month - that's all it took. One. (Halfway down, Sherlock vaults over the side of the fire escape and onto a wall beside it.)
Sherlock: I'm working.
(He jumps down onto the top of a wheelie bin beside the wall and then down onto another one laying on its side before stepping to the ground. John follows.)
John: Sherlock Holmes in a drug den! How's that gonna look?
Sherlock: I'm undercover.
John: No, you're not!
Sherlock (gesticulating angrily): Well, I'm not NOW!

Sherlock: Hello, Redbeard. Here, boy. Come on!
(He leans down and pats the top of his legs repeatedly, smiling at his dog. The dog sits up.)
Sherlock: Come to me. It’s okay. It’s all right.
(The dog starts to trot along the corridor towards him; and now Sherlock is his younger self again, patting his legs and calling to his dog.)
Young Sherlock: Come on! It’s me! It’s me, come on!
(The dog breaks into a run, barking as he continues onwards. Adult Sherlock is now squatting in the middle of the corridor, smiling with delight and still patting his legs encouragingly as the dog runs towards him.)
Sherlock: Come on!
Young Sherlock: Good boy! Clever boy!
(The barking dog reaches the boy, who kneels down smiling happily and starts stroking his head and ears. The dog has also reached the adult Sherlock and is licking his face while Sherlock strokes his head and ears.)
Sherlock: Hello, Redbeard. They’re putting me down too, now. It’s no fun, is it?
(He slumps down onto his backside, looking weak and disorientated.)
Sherlock (weakly): Redbeard...
(The dog barks, and Sherlock falls backwards to the floor in slow motion.)

Mrs. Holmes: Are you two smoking?
Mycroft (spins around): No!
Sherlock (spins around): It was Mycroft!

Mycroft: Also... your loss would break my heart.
(Sherlock had just started to take a drag on his cigarette and now he chokes and coughs before turning to look at his brother, who still hasn’t turned around.)
Sherlock: What the hell am I supposed to say to that?!
Mycroft (turning round and holding out his arms a little): “Merry Christmas”?
Sherlock: You hate Christmas.
Mycroft (pretending to look puzzled): Yes. (He smiles a little.) Perhaps there was something in the punch.
Sherlock (deadpan): Clearly. Go and have some more.
(Mycroft turns and goes up the steps, opening the door. Sherlock turns away.)

Mary Morstan: But he's dead. You told me he was dead. Moriarty.
John: Absolutely. Blew his own brains out.
Mary Morstan: So how can he be back?
John: Well, if he is, he'd better wrap up warm... There's an east wind coming.
(Sherlock, "The Last Vow")

Brian Cassidy: So why didn't you ever have kids? Didn't want the responsibility?
John Munch: I wouldn't want to give a kid the responsibility of me.
(Law and Order: SVU, "Uncivilized")

John Munch: The kindest thing I could ever do for a child is not adopt.
(Law and Order: SVU, "Stolen." Word, my friend. Word.)

Preacher: When God makes you pregnant, stay pregnant. When God makes you barren, stay barren.
Elliott Stabler: When God gives you a uterus, maybe we'll listen to your sermon.
(Law and Order: SVU, "Mask")

Abby: There’s a futon by the cabinet over there.
Tony: Oh, bless you.
Abby: What are you, my priest?
Tony: Curse you? (Abby chuckles.)
(NCIS, “Yankee White”)

Kate: How did you get into NCIS?
Tony: I smiled. (Smiles)
(NCIS, “Hung Out to Dry”)

(Kate moves to sit in her chair and jumps up with a shriek. McGee is under her desk.)
McGee: Uh... morning, Agent Todd.
Kate: McGee.
McGee: Yeah?
Kate: You have two seconds to tell me what you’re doing down there.
McGee: Uh, I, uh, I’m upgrading the computer network, and, uh...
Kate: Time’s up!
McGee: No, I wasn’t looking, I swear! (Kate grabs him by the ears and pulls him up.) Ow! Ow! Ow! Ow! Ow! Ow! I wasn’t looking! Ow! Ah! I wasn’t looking. Ow! (Kate releases him.)

(Kate is standing on McGee’s shoulders, so she can get into the window on the second floor.)
Kate: Okay... McGee, hold me steady.
McGee: (groans) Alright.
Kate: Okay, more left.
(McGee moves to his left.)
Kate: No, no, my left, your right!
McGee: Oh, sorry. (Shifts)
Kate (looks down): McGee, what are you doing?
McGee: I’m doing what you’re telling me to do!
Kate: Are your eyes closed?
McGee: Yes!
Kate: Well, then, open them before you kill us!
McGee: But this morning, you...
Kate: McGee, can’t you tell when someone’s kidding with you?
McGee: I used to, and then I met you guys.
Kate: If you’re wanna work with Gibbs, then you’re gonna hafta get over that. Trust me, I know.
McGee (opens his eyes): Eyes open, it is. (Groans as he shoves Kate up onto the roof.)
(NCIS, “See No Evil”)

Gibbs: I got people calling me every five minutes asking if I have a VW for sale.
McGee: A VW?
Gibbs: It’s a car, McGee.
McGee: No, no, no, I know. I just didn’t know that you owned a VW.
Gibbs: Do I seem like the kind of guy who would drive a squishy little car?!
(NCIS, “Chained”)

Gibbs: Never had a cold.
Kate: You’ve never had a cold?
Gibbs: Nope. Never had the flu, either.
Kate (whispers to Tony): Why do I believe that?
Tony (whispers back, from behind a paper): If you were a bug, would you attack Gibbs? (Kate chuckles)

Tony (in the showers): Who would send me a letter with anthrax?
Kate: Pick a girl, Tony, any girl.
Tony: It’s not funny, Kate.
Kate: Yeah, I know.
Tony: This is serious.
Kate: I know, Tony, I’m sorry.
Tony: At this very instant, someone is incinerating my Ermenegildo Zegna suit, my Armani tie, my Dolce Gabbana shirt, and my Gucci shoes.
McGee: Hey, you know it might not be anthrax.
Tony: I like the sound of that, Probie!
McGee: Yeah, it could be smallpox, bubonic plague, cholera...
Tony: Probie!
McGee: ... foot powder, face powder, talcum powder...
Tony: Honey dust!
McGee: “Honey dust”?
Tony: Honey dust. I give it to girls... (Kate glares at him, Tony can’t see, but he knows it.) Women, sorry, Kate. I give it to women at Christmastime. Very sensuous. You apply it with a feather.
Kate (chuckling): You don’t use the whole chicken?
McGee: Never heard of honey dust.
Kate: Yeah, that’s because your mother raised you to respect women, McGee.
Gibbs: It makes a woman’s skin feel silky smooth. (From within the showers, Kate, McGee, and DiNozzo’s heads poke out.) When kissed, it feels like honey. Got a box of honey dust last Christmas. No card.
Tony: Uhh... I think the post office screwed up, Boss. Someone else got your bottle of Jack and you got their—
Kate (interrupts): Hey! Doesn’t the post office irradiate our mail?
McGee: Yeah, that’s right! All Federal mail is funneled through the Ion Beam facility in Bridgeport, New Jersey. If it has DNA, it dies.
Tony: The diseases that you named, they have DNA?
McGee: They do.
Kate: Oh, you should have let him squirm!
Tony: Haha! Then it’s no worries!
Gibbs: Unless the post office screwed up again!
(NCIS, “SWAK”)

Abby: Stop staring at my butt and get me an evidence jar!
(NCIS, “Kill Ari, Part 1”)

(The team is about to cross a river by stepping on rocks.)
Ducky: Oh, let me give you a hand.
Ziva: No, no, no, no, no. It's lovely that chivalry is not dead, Doctor, but in the Army, I swam three miles across the Red Sea after scaling rough cliffs, without safety lines. I believe I can manage.
(Ziva begins to walk across the rocks, oversteps, and slips.)
Ziva: Oh!
Ducky: Ah!
(Ducky tries to catch her and ends up going down with her, with a big splash, as McGee looks on. They surface, Ziva gasping from the cold. Ducky adjusts his hat.)
Ducky: How refreshing! An independent woman!
(They burst into laughter.)

Abby: I have to look at this from a different perspective. (She bends over and looks at McGee’s butt upside-down.) Your butt’s getting bony.
McGee: Bony? I’ll have you know, Ziva rated it a 4 out of 5, okay?
Abby (thinking hard): Bone marrow. (Typing) There’s a national database for bone marrow donors. (Looks at McGee) Why is Ziva rating your butt?
McGee: Well, Tony started it.
(NCIS, "Frame-Up")

Ziva: Why’d you do it? You didn’t need the money.
Tony: It was easier than giving blood.
Ziva: You enjoyed making those deposits. (Laughs) Was there a penalty for early withdrawal?

(McGee is typing on his typewriter, as someone knocks furiously on his door, then makes squeaking rubbing noises. He gets up to go answer the door, as the person still taps and knocks. It’s Tony.)
Tony (on the other side of the door): Ah-ha! Open up, McGee!
(McGee opens the door a bit.) McGee: Tony, I’m really not in the mood.
Tony: Let me in.
(McGee rolls his eyes, then opens the door. Tony walks in, giggles, and McGee shuts the door as Tony looks around his apartment.)
McGee: Okay, you’re in. What do you want?
Tony: We’re going out.
McGee: Where?
Tony: When the going gets tough, the tough go clubbing. We have gotta get you dressed.
McGee: Tony, I really wanna be alone tonight, okay?
Tony: No, you don’t. Still working on the novel, I see?
McGee: DiNozzo, I’m begging you, do not rag on me tonight, okay?
(Tony goes into McGee’s bedroom, turns on a light, and walks over to his closet.)
Tony: Well, I wouldn’t be DiNozzo if I didn’t. (Opens closet doors) The wardrobe. You got any party clothes, McGeek?
McGee: Tony!
Tony: Baby, you are not gonna be scoring in any of this stuff.
McGee: Hey, would you stop?! I’m not going anywhere!
(McGee walks back over to his computer. Tony joins him.)
Tony: Hey, listen, man, I just wanted—
McGee (sighs): No, I know, I know... I know you were just trying to help. (Sits) Tony, I’m not like you guys. You were trained as a cop. Gibbs was a Marine sniper. Kate protected the President of the United States. God only knows what Ziva did with Mossad. My background is my biomedical engineering and computer forensics... I don’t think I’m cut out to be a field agent.
Tony: First time I shot at someone... I wet my pants.
McGee: Really?
Tony: Really... If you tell anyone, I will slap you silly. (Stands) Ooh, you got anything to eat? I know it’s bad, but a week from now, this will all be behind you, just a bad memory.
(NCIS, “Probie”)

Tony: How long?
McGee: Depends. They could be using counter-attack software. If they’re using a sophisticated encryption system, it could be 128-bit, 256-bit—
Tony: Probie!
McGee: On it, Boss! (Abby looks at him in surprise. He frowns and grimaces.) Tony! (He rolls his eyes and continues typing. Abby smiles, wide-eyed.)
(NCIS, “Bait”)

Abby: I’ll be with you in a minute, Gibbs! (Shrieks as she Tasers her kidnapper three times.) And don’t look up my skirt! (Tasers him three more times.)
Gibbs (chuckles): Okay...

Terry Spooner: Hey, I was proven innocent, remember?
Abby: Actually, you just weren’t found guilty. There’s a difference.
(NCIS, “Bloodbath”)

Abby: Whoa. This is definitely going on my wall.
Ziva (walks in): I should be a professional photographer.
Abby: The Director hasn’t called.
Ziva: About?
Abby: "About?" Gibbs?!
Ziva: Oh.
Abby: She didn’t call you, did she?
Ziva: No.
Abby: Cuz, you know, the way you’re acting, you might have just, I don’t know, forgotten to tell us!
McGee: Ziva, do you notice anything different in here?
Ziva: No music.
McGee: That’s it. No music. You know, you usually play music in here.
Abby: What if those were Gibbs’ guts smooshed all over that room?!
Ziva: Oh, for God’s sake, Abby, they’re not.
Abby: I said, what if they were!?
Ziva: The color would be more coffee-brown than red.
(Abby and Ziva slap each other twice, as McGee stares in amazement. Thunder rumbles.)

(Elevator dings, doors slide open/closed. Tony and McGee collide.)
McGee: Oh, boy! Tony, I’m sorry. I’m so sorry! Sorry. Sorry. I’m sorry, Tony.
(Elevator dings, doors slide open. Tony walks into the elevator, one hand over his nose, and snaps his fingers and points down to the spot next to him. McGee joins him. In the elevator, Tony turns to McGee.)
Tony: Hate the sight of blood, Probie? Too bad. (Takes away his hand, his nose is bleeding. Elevator dings, doors slide closed.)
McGee: Oh, boy!
Tony: Handkerchief.
McGee: I don’t have one.
Tony (stems his nosebleed on McGee’s tie, McGee unties it): Whatever you came to say, better be pretty damn important.
McGee: Abby slapped Ziva, and Ziva slapped her back.
Tony (head snaps up): Damn! I missed it?!
(NCIS, “Hiatus, Part 1”)

(The M.E. van drives up, covered in eggs. Ducky gets out.)
Ziva: What happened to them?
Ducky: Sorry we’re late. We had a minor run-in with some local youth.
Gibbs: Yeah, I can see that, Duck.
McGee: Did you get a good look at them?
Ducky: Oh, we did better than that. Release the captives, Mr. Palmer!
Vandal 1 (exits the van): Are we in trouble?
Vandal 2 (exits the van): Where we at?
Vandal 1: We said we were sorry.
Ducky: Right. (Hands them paper towels and solution.) Clean it.
Tony: Nice work, Palmer.
Palmer: No, it wasn’t me, Tony. Doctor Mallard chased them for three blocks.
Ducky: Oh, please. It’s not that impressive. It’s not as if they were real ninjas.
Vandal 2: Shut up and clean!

Ducky: Is she here yet?
Palmer (walking slowly into Autopsy, smiling): Oh, she’s here. And she is in costume.
Tony: Oh yeah? What’s it like?
Palmer: Trust me; you wouldn’t want me to ruin the surprise.
(Tony and McGee leave Autopsy and enter Abby’s lab)
Abby (twirls around toward Tony and McGee, in her Marilyn Monroe outfit, in slow-motion): Oh... sorry, I was late, you guys. I couldn’t hear my cell phone ringing at the party. You’d think a cemetery would be a little quieter. (The boys stare at her, dumbfounded.) It’s awful about that little girl. I mean, getting kidnapped on Halloween? Totally creepy. (She turns back to her computer. The boys look at each other.) I’m running our skeleton’s fingerprints through AFIS. I’m starting with Virginia and Maryland, and then a subset of all known child molesters on the East Coast. (McGee slowly raises the camera and snaps a photo of Abby.) I’ve got an AMBER Alert running, no hits yet. (She turns back around) We’ve gotta find her. (They continue staring.) Why are you looking at me like that? Do I have food in my teeth or something?
Tony (wry laugh): I’ll— I’ll just stick with “or something.” (They walk up to her) Need to run our dead guy’s photo against mugshots.
Abby (expectantly): Give me.
(McGee is staring somewhere around Abby’s midriff. Tony headslaps him.) Tony: The camera, McGee.
McGee: Sure, the camera, sorry.
Tony: We need to put out a BOLO, see if anyone recognizes our guy.
(Abby looks at McGee, who is still staring at her.) Abby: McGee, what is wrong with you? You look three cans short of a six-pack.
McGee: Nothing, it’s just— you look different.
Tony: He means the Halloween costume, Marilyn.
Abby (smiles): Oh! Right! Sweet, huh?
Tony: Yeah.
(NCIS, “Witch Hunt”)

Abby: The kids don’t like it when Mommy and Daddy fight.

Abby: I dunno. What were you gonna tell me, O Magnifico?
(NCIS, “Twisted Sister”)

Ms. Taylor: Physical contact can be divided into three categories. “Green light” includes normal behavior. “Yellow light” includes borderline behavior, such as hugging someone or—
(Abby stands, looking concerned, and raises her hand.)
Ms. Taylor: Yep?
Abby: What’s wrong with hugging people? I hug people all the time.
Ms. Taylor: You may see it as friendly, but your coworkers may find it offensive.
(Abby, shocked, looks around at the others.) Abby: You guys get offended when I hug you?
(Various “no” responses go around the room.)
Abby (closes her eyes and hugs herself):I’m hugging you all in my mind right now.
Ms. Taylor: DOD policy is very clear about this point, miss. You must first ask permission before making physical contact with a coworker.
Abby (baffled): Like, every time?
Ms. Taylor: Yes.
(Abby, horrified, sits back down.)
Ms. Taylor: And finally, there’s “red light” behavior, such as deliberate, unwelcomed touching. (Ziva leans forward to Tony, who is lying on the table between them, and licks his ear. He jumps up and shrieks in surprise.)
Ms. Taylor: Another question?
Tony: Yeah. What if you slap someone on the back of the head like this? (Head-slaps McGee, McGee whacks him in the stomach) Would that— would that be considered inappropriate behavior?
Ms. Taylor: Absolutely. Are you saying that this has actually happened?
(Tony looks over at the Director and Gibbs, who stares back at him, daring him to say yes.) Tony: No, I was just wondering, that’s all. (Sits)
(Palmer raises his hand)
Ms. Taylor: Yes?
(Gibbs’ phone rings)
Palmer: Uh, yes, uh... what if your job...
Gibbs: Gibbs.
Palmer: ... includes... touching naked people... and...
Ms. Taylor: That’s inappropriate at any time.
Palmer (innocently): Even if they’re dead?
Ms. Taylor (startled): Why are you touching dead naked people?!
Palmer: Well, you see, I work in Autopsy...

Abby (as Gibbs is pulling her out of OTTO, which is pumping full of exhaust and suffocating her): Permission to hug?

Tony (singing, strumming a guitar, in costume): In my perspective, I see the people from the big jet-plane
The woman looks Teutonic, she drinks a vodka tonic
Two bald men sit with her, waiting for a fourth
They’re not going to order the main course until that person comes
(Behind Tony, a dog howls to his singing. Finally, annoyed, he turns around.)
Tony: Hey! Everybody’s a critic. Am-scray! Get outta here!
(Dog barks and leaves. Tony gazes at the long legs of a female. The Director is watching from MTAC.)
Director Shepherd: Keep your eyes on the prize, Tango-8. I may even let you keep the money you’re making.
Tony (singing): Ah, sorry! I just do what I can
Director: You’re not gonna sing the whole thing, are you?
Tony (singing): I gotta do what I gotta do
I’m just a man
Whoa! Speaking of man, another man walked through that front door, wearing a polka dot scarf
(In MTAC, the tech zooms in on a man in the surveillance video)
Will he join the table?
I don’t know
Yes, he does
And greets the pretty lady
What do they say?
Who knows?
He’s sitting at the table with the other people from the plane
Jenny: Stay steady on the target, Tango-8, I want his photo. (To the techs) Isolate and freeze frame.
Tony (singing): They are having a conversation... a heavy, heavy conversation...
That man talk, a talk, a talk a lot
Talk, a talk, a talk a lot
(Inside the restaurant, Trent Kort turns and looks at Tony through the window.)
Jenny, I think I’ve been made...
Do you see what I see?
Jenny: Relax, Tango-8, I’m sure he’s just checking his reflection in the glass...
(NCIS, “Driven”)

Lt. Roy Sanders: All that is necessary for evil to succeed is that good men do nothing.
(NCIS, “Dead Man Walking”)

Tony: If I needed to be cheered up, I would’ve put super glue on McGee’s keyboard.
(McGee holds up his hands, which are superglued to his keyboard.)
McGee: You put superglue on my keyboard!

(At Dr. Neil Fleming’s office, Tony and McGee look around the lobby. Tony walks over and is just about to knock on his door. McGee notices.)
McGee: Hey, no, no, no, don’t do that! (Tony freezes.)
Tony: Why not?
McGee: The doctor might be in with a patient, Tony. (Flips a switch on the wall.)
Tony: That tells him someone’s here? (Flips the switch back and forth obnoxiously.)
McGee: You ever been to a therapist before?
Tony: Me? No. You?
McGee: Yeah, once, when I was young.
Tony: For your acrophobia?
McGee: You’re blowing that all out of proportion, Tony.
Tony: Well, you showed a pathological fear of heights earlier today.
McGee: I was staring down ten stories. Being a little disoriented, it’s a little understandable.
Tony: Disoriented? You had your panties in a twist, tears in your eyes. Wait, I couldn’t see your eyes, because they were shut so tight! You were hysterical like a little girl.
McGee: I was not.
Tony: You were hugging the ladder, ladder-hugger. And I got the photographic evidence. Let technology show you the truth.
(Tony runs a video on his cell phone and freezes it at a point.)
McGee: My eyes are not closed. I was blinking.
Tony: Oh, is that— is that what you’re doing? Let’s let the people decide.
McGee: You’re not gonna post that on YouTube?!
Tony: Might...
McGee (yells, tackles Tony on the couch): You give me that thing or I’m gonna—
Tony (yells): What are you gonna do?
McGee: Hey! Hey!
Tony: Yeah!
McGee: Slap you silly!
Tony: You’re not getting it!
(Dr. Fleming comes out of his office in the meantime and sees them fighting.)
Fleming: Hey! Hey, hey, hey! Hey.
(They stop fighting and pause in a compromising position.)
Fleming: You two have deeper issues than discussed on the phone.
Tony: On the phone?
Fleming: Aren’t you the couple that called about marriage counseling?
McGee: Couple? Us? Oh no.
Tony: It’s okay. Timmy. (Places his hand on McGee’s hip.) Timmy, we’re in a safe place. We can be ourselves here. (McGee disentangles himself from Tony and stands up.) We just got back from Vermont. Pretty this time of year.
McGee (readjusting his coat): Sorry. NCIS. Special Agents McGee, DiNozzo.
Tony: Very Special Agents.
(NCIS, “Leap of Faith”)

McGee: Found something.
Tony: Lost something, too.
(NCIS, “Chimera”)

Kelly: It’s okay, Daddy. It’s okay. Go back, Daddy. Go back. It’s okay. I love you, Daddy. I love you. I love you, Daddy.
(NCIS, “Requiem”)

Gibbs: You got yourself in a mess, Corporal. You hafta get yourself out. What seems to be the problem? (D.I. voice) WHAT SEEMS TO BE THE PROBLEM, MARINE?
Damon Werth: I wanna kill someone, sir!
Gibbs (softly): Anyone in particular?
Damon Werth: Anyone will do, sir?
Gibbs: Does that feel right to you, son?
Damon Werth: No, sir. It does not. I’m not right, sir. But it’s not my fault.
Gibbs (softly): Tell me what it feels like.
Damon Werth: Needles and pills.
Gibbs: Needles and pins?
Damon Werth: No, sir. Needles and pills. They put a cloud in my head. It’s dark behind my eyes. I can’t see in there.
Gibbs: Who drugged you?
Damon Werth: I don’t know. I can’t find it. I can’t... remember! You gotta help me.
Gibbs: At ease, son. I will.

Tony: Oh, look at me, like Jack Nicholson in “Chinatown.”
McGee: Ugh, stupid can!
Tony (growling): You know what happened to the kitty cat who got too curious.
(Ziva punctures the can with a pen.) Ziva: Straw?
McGee: No, I’m good. I got the one arm.
Tony: Maybe it was you, McGee. Thought it was one of those vets we met at the Walter Reid hospital.
McGee: Wrong case, Tony.
Tony: We even have a case? (Ziva looks curiously at him.) I mean, we already got the guy. What are we doing? (Wiggles his fingers against his temples and widens his eyes) What did we miss? What’s happening?
(Ziva looks at McGee for an explanation.) McGee: They gave him painkillers.
Ziva: Oh.
(Tony flexes his fingers.) Tony: My fingers are fing-ing. (Elevator door dings.) Ooh! You hear that?
(NCIS, “Corporal Punishment”)

Abby (in the evidence garage): Hey, McGee. (McGee exits the car) Oh my God, what happened to you?
McGee: I was attacked by a vicious dog.
Abby: Are you okay? (Peels back the bandages to take a look at his wound)
McGee: Careful, careful.
Abby: Did you provoke it?
McGee: If you consider serving a warrant provoking.
Abby: What happened to the dog?
McGee: He was shot. (Gestures at his car)
Abby (turns and looks at the car): What? (Runs to the car, opens the door, removes muzzle off the dog) You poor thing!
McGee: Abby, Abby, careful, that is one vicious dog.
Abby (to the dog): Hi. (to McGee) Yeah, McGee, looks really vicious.
McGee: Ducky and Jimmy sedated him. We’re hoping you can get some evidence off of him.
Abby (cuts the zip ties off the dog’s legs): There, that’s better. Who would shoot this cute little dog? Aw, look at you. (McGee straightens up. Abby straightens and turns as she realizes McGee shot the dog.)
McGee (wide-eyed look): It was self-defense. It, it was self-defense!
Abby: You shot that cute little dog?!
McGee: He’s not cute and little. He’s, he’s, he’s vicious and large!
(From within the car, the dog watches them argue, whining.)
Abby: How could you shoot an innocent animal, McGee?
McGee: Abby, that dog is not innocent. He killed someone!
Abby: Dogs don’t kill people. People kill people!
McGee: People with dogs that kill people kill people!
Abby (to the dog): You didn’t kill anybody, did you? (Jethro blinks and whines) No. (Abby scoffs in disgust and snatches McGee’s jacket.)
McGee: That’s my Hugo Boss! Hey, don’t you think that you’re compromising the evidence with my $500 jacket?
Abby: If you think that I can’t distinguish the fibers on your stupid jacket from the evidence on the dog, you don’t know me, McGee. And right now? I don’t wanna know you. (Pets the dog) Good dog. (To McGee) Bad McGee!
(NCIS, “Dog Tags”)

McGee (gleeful): Road trip.
(McGee and Ziva run to join Gibbs in the elevator, Tony behind them.)
Gibbs: DiNozzo.
Tony: On your six, Boss.
Gibbs: Follow up with the Taylor family.
Tony (stunned): But I...
(McGee and Ziva get in the elevator gleefully.)
Tony: On it.
(The door starts to close.)
Tony (to McGee and Ziva): I hate you. Take lots of pictures.

Ziva: I’ll call Tony.
McGee: I’ll call Abby.
(They run back into Jackson’s shop.)
(Tony walks into Abby’s lab.)
Tony: What d’you got, Abbs?
Abby: I found three distinct blood samples on LaCombe’s ring. One sample belongs to LaCombe, but he definitely got some punches in. If we’re really lucky, our bad guys have some marks on them. You heard anything?
Tony: From Hazzard County? No, not yet. (Tony’s phone rings) Oh, hey.
(McGee pops up on Abby’s computer screen.)
Abby: Look, Bo, there’s our good ol’ boy now. (To McGee) Hey, Luke. How’s Uncle Jesse?
(McGee pokes Ziva in the back) McGee: Hey, I got em! (She comes over to the computer)
McGee and Ziva: Gibbs has a father!
Tony and Abby: Tell me everything!

Shannon Gibbs: What were you and those guys fighting about?
Young Gibbs: I don’t even remember.
Shannon Gibbs: You should stop.
Young Gibbs: Are you waiting for the train, too?
Shannon Gibbs: Yeah.
Young Gibbs: We could sit together.
Shannon Gibbs: I don’t know, it’s a long ride. (Gibbs looks at her) But I guess you’re not a lumberjack.
Young Gibbs: No.
Shannon Gibbs: Well, I have a rule. It’s either number one or number three: Never date a lumberjack.
Young Gibbs: You have a rule for everything?
Shannon Gibbs (smiles and nods): Working on it. Everyone needs a code they can live by. What’s your name?
Young Gibbs (embarrassed): Leroy Jethro Gibbs.
Shannon Gibbs: I’m just gonna call you “Gibbs.”
Young Gibbs: You can call me anything you want.
Shannon Gibbs: I’m Shannon.
(NCIS, “Heartland”)

Ziva: Did any of them hurt you, McGee? I will kick their ass.

McGee (answering his cell phone): McGee. (Indistinct voice on the other end) You told me my car would be ready today.
Tony: One octave or two? (Ziva smiles)
McGee: Listen up, because this is what you’re gonna do. You’re gonna take the first estimate and you’re gonna reduce it by ten percent. Then you’re going to find the part, install the part, and have my car parked out front and ready for me when I walk out of this building in 32 minutes.
Tony: Wow. Who would guess that McGee would grow a pair in a women’s prison? (Ziva smiles.)
McGee: I put away killers for a living. That’s what I do. Now you do exactly as I told you, and we won’t have any problems. Understood? Good. Clock’s ticking. (Hangs up the phone)
Abby: Wow, McGee. Your time in the Big House really changed you. I like it.
(McGee grins.)
(NCIS, “Caged”)

Tony: The heat’s out, the phone’s out, internet’s down. No elevator, coffee, or vending machines. Backup generators are feeding lights, basic communications, MTAC—
Palmer: Oh, and Autopsy freezers.
Tony: Really? Yeah, that could get ugly, huh?
(NCIS, “Power Down”)

Tony: I’m gonna go out on a limb here and say... serial killer.
Ziva: A limb. Nice.
Tony: Can I give you a hand? These are terrible jokes.
(NCIS, “Rule Fifty-One”)

Ziva: I want... something... permanent. Something that can’t be taken away. (Voice breaking) Is that too much to ask?
(NCIS, “A Man Walks Into a Bar...”)

Dr. Derek Shepherd: It's a beautiful day to save lives.
(Grey's Anatomy)

Dr. Derek Shepherd: If you don't feel the losses... if they don't hurt you and humble you... that's when you know you're not cut out for this kind of work.
(Grey's Anatomy, "Valentine's Day Massacre")

Tyler (as he performs CPR, before his fellow paramedics shock the electrocuted patient):I don't think more electricity is what this guy needs, just throwing it out there.
(Trauma, "Pilot")

Tyler: Okay, don't shoot the white guy.
(Trauma, "All's Fair")

Boone: Hey, hey, can you help me find this guy’s tongue?
Tyler: Why, why do I have to find the guy’s tongue? See, a kidney, a kidney I could find.

Ray: Hey, you wanna do some real work, grab a hose!
Tyler: What is it? Why are you guys always trying to get me to touch your hose?
(Trauma, "Stuck")

Bunny Rabbit: (running up to the ambulance window) Sarah Palin's all messed up!
Tyler: (laughing) Ha, you're preaching to the choir!
(Trauma, "Masquerade")

Tyler: This is like a crack house for birds!
(Trauma, "Thank You")

(Marisa has just unknowingly walked in on Nancy and Rabbit making out and getting dirty. Nancy is playing it cool by the table and Rabbit is hiding behind the open fridge.)
Marisa: Hey, can I stash my lunch in your fridge?
Nancy: Sure.
Marisa: Cool, thanks. Rabbit eats anything I put in ours. I swear, it's like flying with a goat.
Rabbit: (revealing himself from behind the open fridge, munching on a carrot) That is both hurtful and untrue.
Marisa: How did you get in here?
Rabbit: Same way I swiped your lunch.
(Trauma, "Tunnel Vision")

Tyler: Paramedics. Pair of medics.
Boone: Shut up. Paramedics!
Tyler: Okay, you knock. She might hear the seniority.
(Trauma, "Targets")