The Avatar is devastatingly easy to love. [Korra/Asami]

While Korra heals in the South Pole, Asami guides her through the worst. [Set after the finale of Book 3: Asami follows Korra to the South Pole, instead of staying in Republic City.]

[AU] Five years have passed. Ellie meets all the demands of survival, and continues to work within Tommy's camp, Joel by her side. Until an old friend, a Fire Fly, is caught, and taken behind bars. Wanted for her immunity, Ellie's life is in jeopardy once again. Although, this time around, the choice is entirely hers to make. [Riley/Ellie]

"Hating you would be so much easier." [Rosa/Amy]

Death is an archive of memories. Memories of faces, of joyful eyes; the looks he was gifted with. Devotion only a bastard would know.

[Sequel to Inamorata] A new challenge arises, yet this one could result in devastating consequences. Not all Pokemon Masters are infallible. [Dawn/Cynthia ; Post-Platinum Storyline]

"Wanda?" She murmurs, and her voice pours with grief. "Do you ever leave in the night?" [Natasha/Wanda]

Bagheera becomes a father. Bagheera becomes a mother. Bagheera becomes a parent; a soul which loves. Desperately. The furless cub becomes everything.

Only very few times is Natasha willing to yield –– something Peggy is especially attentive to. [Natasha/Peggy]

[Minor Civil War Spoilers] 'You'll never lose me, Nat. I swear.' Maybe Captain America is too loyal, which makes him damaged. But his undying loyalty is all he has left.

Master Skywalker's training demands more than Rey previously assumed. Battling against the seduction of the Dark side is no easy feat, as well as coming to terms with her past, and her current fate. At least she has a good friend to guide her. [Jessika/Rey]

"What's this about you finding her cute anyway?" [Jessika/Rey]

The severity of Peggy's career, and how it affects those closest to her. [Angie/Peggy]

Therese, and the daunting prospect of becoming a stranger's mother. [Carol/Therese]

'You sound like her, you know? She's good at speaking confidently; good at fooling you. But, really, inside––she's fragile. Insecure and scared. Thank God she had you to save the day.' His smile broadens into something terrifying. 'It's a shame. You could have been brilliant if you weren't wound up in your admiration.' [Dawn/Cynthia ; Post-Platinum Storyline]

The first person to kiss her burns is Olivier. [Olivier/Riza]

Some of their most intimate moments, which linger over the telephone. [Carol/Therese]

Initially, what Dawn endures isn't anything close to jealousy. In fact, any adult would argue that she's too young to actually feel jealousy over another person, let alone an older woman. So, no, it's not jealousy. Suffice to say, she's not exactly keen when her mentor is being hit on.

Angie Martinelli, from the young agent's perspective. [Peggy/Angie]

She is the first person, after the war, to hold your hand and not question what you have become. [Peggy/Angie]

While they sleep, Poe will search for his hand, and find him. They may just lie there, or intertwine their fingers, say nothing at all.

Sometimes you endure nightmares. About rainy days, and spaceships flying away; or dark masks and scarlet lightsabers which burn your insides. And sometimes you dream, about blue and white and a friend. Sometimes you dream of nothing at all. And sometimes you don't even try.

She's imagined the rush and ecstasy of sex. A woman's palms massaging her breasts. Their tongue inside her. White sheets, throbbing bodies, clenched fists and gasps. She's imagined the intensity of love. [Peggy/Angie]

You don't forget their mutated, gentle hands. The arms of an ancient creature, who held your tiny form while you cried and cried. You don't forget their forgotten language, beautiful drawings, their myths, the legends whispered in your ear while you slept.

She is sunshine; the melt of a freeze. Some gentle drug, easing you into a permanent state of euphoria. [Peggy/Angie]

[Sequel to The Indignant] '... but I do not recall the Devil ever falling for God's angels.'

The girl doesn't reply, for she has been defeated. However, the woman is not victorious. This isn't a battle, the girl realises. 'My name is Natalia.'

[Sequel to In Bloom; Peggy/Angie] In an attempt to flee from her father's wrath, Angie endures more than she bargained for.

"Pray tell: what is it like? To see yourself in the mirror and watch yourself age?" [Natasha/Peggy]

[Sequel to Scarlet Cross; Peggy/Angie] Peggy bites the bullet, and fights for something she should have fought for long ago.

The way Angie thanks her, as if Peggy has swept in through the window, cape billowing behind her, saving her damsel from fatality. The way Angie thanks her, as if Peggy were the world. / The five times Peggy kissed Angie. And the one time she did not.

[AU: The name of one's Soulmate is written in their skin, which sometimes pays a very heavy price.] It's after the war. And some soldiers who survived cope their aftermath in the most damaging ways imaginable. Peggy is no exception. Sometimes, the lights in our life are not always prophesied.

'Take me home,' she whispers into her ear, as everything comes screaming back at her, everything, everything, everything and that name––Madame Masque––makes her mind ooze with terror. A nightmare, grinning in scarred red. [Peggy/Angie]

Agent Margaret Carter, through the eyes of a diner girl.

' –Come with me.' [Peggy/Angie]

When Peggy retires from being the hero, Angie discards her armour. [Peggy/Angie]

[AU: WWII] Angie and Peggy meet under the most inconvenient and harmful circumstances. Yet, somehow, this only brings to light something they did not foresee.

Upon hearing the news about Director Carter's early on-set Alzheimer's Disease, The Black Widow pays a much anticipated visit. [Peggy/Natasha]

A wounded soldier and a young civilian meet in a hospital. They call it Fate. [Peggy/Angie]

[Post Season 3] After a year encaged in psych, Piper is riddled with guilt and clings onto her last thread of sanity. Despite her own complications, there is one person in particular she is desperate to make amends with.

You are staggered by his presence. His youthful face, beautiful eyes; his agony. [Eren/Annie]

Love is your weapon, and your darling weapon is lethal.

Returning to Litchfield prison turns Alex bitter and spiteful towards Piper, but things take a drastic turn when they're forced to work together in order to survive the chilling slaughter of mother nature. [Alex/Piper]

'If you let me go, darling, I won't survive.' [Steve/Bucky]

'You were never meant to live this life.' [Levi/Eren]

They taunt themselves in make believe. This is all temporary. One day, maybe, they will be together. [Peggy/Natasha]

She has always admired her from afar. [Olivier/Riza; implied Royai]

But it is her she came to see. [Natasha/Peggy]

'I don't think laziness suits you.' [Peggy/Natasha – WWII AU ]

He's got used to her silences. [Steve/Natasha]

Love was hers to hold at the most inopportune moment. [Steve/Natasha]

Alex never considered herself the romantic. Not before Piper. [Alex/Piper]

Two lost souls meet in a café. [Steve/Natasha]

It takes time, but they happen. Eventually. [Piper/Alex]

'I don't want to lose you again.' [Sequel to Behind Closed Doors; ONESHOT. Alex/Piper]

Only she is missing. [Alex/Piper – Christmas oneshot – Post Litchfield]

Prompt (what started off as a joke and got serious): Alex is an eighteen year old who works part-time at a sex shop. Piper agrees to a dare. [Alex/Piper - AU]

Piper learns the hard way why a doctor should never fall for their patient. [Alex/Piper - AU]

Piper. Alex. Half a cupcake. This is a fluff oneshot. Yes. FLUFF. [Alex/Piper/Cupcake]

They don't request what they truly desire. [Alex/Piper - post Litchfield]

Not everyone is better in the abstract. [Sequel to Alex]

"I'm more of a dishwasher kinda gal, sir." [Alex/Piper - smut]

A drug addict, and her decision. [Alex/Piper]

Two bullets. Two shots. Two dead men. Piper's love for Alex weighs at a heavy cost. [Sequel to White - Alex/Piper]

Piper, Alex and the agonies of womanhood. [Alex/Piper]

Alex has a lot of pride to protect, which usually leads unsuccessful when she has Piper taking care of her. Holidays, and why they suck. [Alex/Piper]

All Piper has ever seen is Alex, because she was (is) all that matters, and, compared to her, everything and everyone is grey. Everything is just background. [Alex/Piper - alternative plot from S2EP1 onwards]

What Piper sees in Alex is far more complex than anyone else before has deciphered. [Alex/Piper]

The string tied between you two keeps bringing you both together, and you think it's time to let both frayed ends meet. You think it's time to give in. [Alex/Piper]

Eren starts to form a unique and interesting bond with a frequent customer. [Eren/Annie - AU]

They will tread into fire together, even though it'll burn them alive. [Levi/Petra]

His request is always the same, and her response is always delivered in silence. [Eren/Annie]

"What if we ran away together?" [Eren/Annie]

All he requires is a little push. [Tōshirō/Rangiku]