Puck just spent the last several hours discovering that McKinley's resident Goth isn't exactly full of doom and gloom—and for some reason, this freaks him out even more. The beginning of a Puck/Tina friendship, set sometime after 1x10.

This was just how they worked sometimes: he smiled and she smiled back and together they laughed and argued about trivial things. And, for a moment, the weight of reapings and sick mothers and bouts of loneliness didn't weigh so heavy on their frail shoulders. Madge/Peeta friendship. Oneshot.

Sometimes it's easy to slip back into some semblance of what they used to be—to pretend there aren't weeks in between where they have no idea what's going on with one another. Sometimes it's enough, to have at least some piece of him. And sometimes it's really not. Madge/Peeta friendship. Set pre-series. Oneshot.

She is unmarred in his mind. She is something true. / After being rescued from the Capitol, Peeta receives a visit from someone he used to know. Platonic Madge/Peeta set during MJ. Oneshot.

Madge takes his hands in hers—trying to hold on, trying to calm him, trying to absorb as much of him into her memory before he's gone. When Peeta is reaped for the 74th Hunger Games, Madge is forced to say goodbye to her oldest friend. Oneshot.

Luna hums a tune he doesn't recognize and calmly sits beside him—as if they're simply old friends on holiday, instead of two kids hiding out in the middle of a war. Some Dean-centric musings about life on the run. Oneshot.

Marisa lives in the shady Mission area. She survived army tours in Baghdad, Basra, and Fallujah, and she can honestly say nothing infuriates, baffles, excites, or even scares her more than one Reuben Palchuk. Marisa/Rabbit. Oneshot. Post 1x18.

Sometimes you wonder how the hell you got to this point, but since your desire to beat people up has dramatically decreased, you figure you'll just roll with it. Puck/Tina. Oneshot.

"We survived lethal flashes, somehow teleported 30 years into the past, and you two can't even decide whether you like or hate each other." Pre-Sawyer/Juliet and Miles/Juliet friendship set in early Dharma times.

Tina's more than ready to hide in the corners of a page of sheet music, but it's different this time. She's not the only one. Tina centric with some Artie/Tina, Kurt/Tina friendship, and interactions with Quinn and Puck. Oneshot.

"If having a heart makes you a little less macho, then I think we can handle the consequences." Life throws Puck a curve ball. Tina helps him deal. Puck/Tina. Oneshot.

Tina's not sure if it's just the excitement or the absurdity of the whole situation—crouching on a rooftop with Puck on her birthday, preparing for a suicide attack on Sue Sylvester, but she finds herself smiling all the same. Puck/Tina. Oneshot.

He tries to imagine what she would've looked like in a white dress and he almost wants to laugh that it took nearly four years on this island for him to finally crack. Sawyer/Juliet. Oneshot set after 6x03.

Walking into the fluorescent-lit room, he noticed he wasn't alone. Caught up in the aftermath of their lies, Puck and Tina have a surprising conversation. Puck and Tina interaction, subtle Artie/Tina. Oneshot.

They watched with tender eyes as both of their first loves met each other where the aisle ended and the altar began. If Haley and Jake had been their naïve fifteen-year old selves, they would've pitched fits for sure. Oneshot.

It was a curious thing, these visits. Draco knew in the real world—their Hogwarts world—this would never happen under any normal circumstance. Maybe that’s what prompted him to approach the cellar door in the first place. Oneshot.

He knew nothing of the pain she felt and she knew very little of the pain he caused. They were strangers. Maybe that’s what brought them together. Slight Peter/Ellie with Ellie/Craig undertones. Oneshot.

Some people measure life by the moments…would this count as one? Izzie and George, set after the Season 2 finale.