Can nobody hear me?
I've got a lot that's on my mind
I cannot breathe
Can you hear it, too?

- Hear Me, Imagine Dragons -

:|:

It was inevitable, really, and he'd have had to have been an utter fool to believe otherwise, and whatever else he is, he is not stupid. He had merely hoped that they would find out later. Not now. Just...later.

But it had happened. Was happening. Is happening. He gets so terribly confused by tenses. It comes of just taking life as it goes, not dwelling on the past and looking only to the near future, the one he can be reasonably sure will occur. It doesn't help that the Wind doesn't understand tenses either, and apparently neither do brick walls. Lately, though, he's had to use the past tense more and more; he doesn't like it, doesn't like having to remember. Leave the past in the past, say he.

The Guardians don't seem to understand this mindset, though, and over the past few years have often asked him to regale them with tales of his adventures after they've told him their own stories; he's always been reluctant, not because he hasn't had any – oh no, he's been on many a misadventure in the last three hundred-odd years – but because he doesn't like to look back. Now, though, his friends – his family? colleagues? associates? Relationships have never been his forte – seem intent on playing psychologist, demanding when he'd started talking to himself – to anything - and trying to figure out why, and how they can help. They ignore his protests and just flaff about, regardless of his wishes.

He sighs, takes a deep, unneeded breath and does what he does best: talk. He doesn't care if they're listening or not, he's only going to say it once. If they don't care enough to hear him out, then that's their own fault. He doesn't want to see them not listening, though, so he closes his eyes and does his best to block out their speech.

He launches into a tale that to him makes perfect sense; he's lived it. The Guardians, if they're listening, probably have no idea what he's on about, with all the tense mix-ups and strange use of pronouns and names and the hopping from tangent to tangent. His brain has no input here; he's not holding anything back, not dwelling on his words, just letting them flow. In this monologue, he's not only telling them how he thinks, he's showing them.

In his own voice, the one he hears inside his head, not the one he speaks, he informs them of all his many years lived in silence and smiles – not laughter, because that would require sound. He confesses to the crushing loneliness and desperation and silent sobbing that slowly, so slowly, became acceptance and apathy and bitter smiles. He expresses his one lasting desire, the longing to know who he is and why he is and what he is for; he has uncovered some of it, he feels, but it is only the tip of the iceberg. He does his best to explain his connection to the Wind, but it's a difficult thing to do; neither are the other and while there are no words spoken between them, neither is their communication telepathic. He suspects he's only confused his listeners more. He carries on to describe his relationship – or rather, his non-relationship – with the other spirits, like the Seasonals, the Elementals and even the occasional Emotional. He relives his early days as Jack Frost, so full of hope and wonder, with no memories but still dreaming of a brighter future; no understanding of the world as it is, as it was, only as it could be, as he wanted it to be. He smiles oddly as he recounts how he slowly came to realise that the world is not such a perfect place as he had wished it, recalls that for a long time he could only see the horror and the terror and the ugliness. Oh, he regained his faith in the world, of course he did; that was just a phase, only a couple of decades long. He does still see that side of life, but accepts that you can't have the good without the bad because otherwise how would you define it? He knows he's no saint himself – winter is hardly the kindest of seasons – but neither is he a demon; far worse than him roam the cold streets of empty nighttime cities.

Finally, after what feels like a lifetime, he arrives at his last point, the final destination. He admits that, no, he is surely not sane, he knows this and has known for a long time. With so long spent alone and invisible and voiceless, what else was he to do to pass the time but watch? He understands, intimately, that sane people are not meant to talk to things that do not talk back, and that though when he speaks to things – to lampposts and parked cars, cut flowers and apples – he does, in fact, hear an answer, it doesn't mean that he should. Normal people don't spend hours chatting to walls, he knows this, but it doesn't stop him having the conversation anyway. Just because he knows it's wrong, doesn't mean he can stop. He ends his monologue there with a small smile, one that spoke of relief and exhaustion. He opens his eyes, to see if anyone is listening; he's too emotionally exhausted to care if there isn't.

He opens his eyes, and he sees four wide-eyed faces staring back at him. They're sat on the hard wooden floor in front of the chair they had sat him in hours – days, weeks, years – ago, apparently struck dumb by his speech. For several seconds, they just sit there like remarkably realistic statues, but then Tooth unconsciously shifts her leg – cramp, he supposes – and suddenly they're alive again and he is engulfed in a massive bear hug from North, and is quickly surrounded by the other three, all of them muttering about how they never knew, never understood, and he can't help but interject that that had been his intention all along, because he'd known that this would be the result. Someone cracks a joke about how he must have been an actor in his past life, but he casually replies that no, actually he'd been a shepherd's boy and between caring for his little sister, had cared for his father's sheep – up until he'd drowned, of course, in the icy lake he nowadays called home. He feels them go stiff at these words – he hadn't told them, they hadn't pried – and some part of him feels vaguely guilty, but it is buried deep under the truly liberating feeling of speaking his mind.

The group hug persists in silence for several minutes before he begins to feel claustrophobic and starts to squirm in his seat. They back off, understanding of his need for a little personal space, and look at him solemnly. They tell him, in no uncertain words, that they love him, that they will help him as much as they can and that he will never be alone again.

He sighs inaudibly, and even though he hasn't filtered any of his words up until this point, he refuses to break their hearts by revealing that he doesn't believe them, not truly. Oh, he's sure that they love him, he can see it in their body language, and he's certain that they'll try to help him with the best of their abilities; he just doesn't want it. He doesn't need their pity, he's managed well enough on his own.

As for never being alone again, well...

A few years of genuine smiles don't make up for three centuries of solitude, just as a few years of kindness don't make up for three centuries of disdain. It will be a long time before he can trust them with all his icy, frozen heart.

:|:

A/N: So I wrote some more. But this is it, okay? I can't think of anything else I could do with this poor broken Jack of mine. Can you tell how much I hate dialogue and love punctuation and personal pronouns? More notes and some explanation over on my fanfic-specific Tumblr at idoloni . tumblr . com.