They had to rush the job, and come out of the river with a week left before they wake. The Point Man and the Architect find themselves trapped in a dream with only each other as company as they wait for the projections to close in. Arthur/Ariadne.

After the Fischer job, Ariadne needs a shoulder to lean on. Arthur is the closest safety net she can fall to and coincidentally, she's the same for him. Arthur/Ariadne

Who was that shape in the shadows? Whose is the face in the mask? Phantom of the Opera AU

Luego de un año de la Originación de Fischer, el ejército ha solicitado a equipos ilegales de extracción para realizar una tarea ya conocida, pero complicada: La Extracción Múltiple. El equipo vuelve a reunirse, pero ahora que Cobb quiere volver a ser arquitecto y Ariadne se convierte en su aprendiz ayudante, hay que conseguir un nuevo Extractor. [Ch 4 EDITADO]

Eames is an empath (obvious really), Arthur is a (seemingly emotionless) mystery, hijinks ensue? Really a bit of a drabble that I hope evolves to more, to be continued.

Quand il voit Eames arriver dans l'entrepôt, qui leur sert de bureau temporaire, avec deux cafés en main, Arthur cherche son dé dans sa poche juste pour vérifier si il rêve. OS Arthur x Eames, fluff.

Over a succession of Christmases, Ariadne comes home.

Ariadne goes home for Christmas. Arthur goes along.

Fischer won't be convinced by poor imitations. Arthur helps Eames perfect the exact texture of snow.

She knows everything about dream sharing, she's one of the best. But she's scared of facing reality, clinging onto dreams from the past. It could change when a charming Forger tries stepping on her toes, showing her that life isn't all about guilt and regret. Will she let him call her darling? Time waits for no one but it will reveal all secrets. Eames/OC, T for now, will change!

The job is dangerous, but quitting is even more so. Rated T for character death.

Arthur has always worked hard so that Cobb's missions would work out for the best but this time he overworked himself too much and even if he doesn't want to accept it, he needs Eames help. But what if his refusal to ask for Eames' support came from a traumatic experience that had occurred in his past?

An unlikely friendship forms between the Forger and the Architect. Can it outlast his flirting and her need to dream? Based around the concept of "When Harry Met Sally." COMPLETE.

With Dom retired, Arthur's sights set on enlisting a certain architecture protege as an exclusive business partner. Quit or stay? That's the decision Ariadne will make after a 50 job trial period. But as the months drag and their relationship evolves, they find that the most complicated part of that decision is how much her answer truly matters—and hardly on a business level.

Arthur was unsurprised to find Eames in a grimy Hackney boxing gym.

Arthur just wants Eames to leave him alone.

When a sick Robert chases down the team to demand answers, Cobb, Eames, Arthur, and Ariadne must make some serious decisions about this new threat. Spanking and maybe slash later on. Spoilers for movie. Now being updated.

"She's grateful that she doesn't have to be alone." Ariadne and Arthur watch together from Cobb's loft as the Notre Dame burns. My tribute to the cathedral.

Mal didn't haunt his dreams like she did Cobb, he remembered her like she was. Arthur wasn't in love with Mal but he did love her. She was his friend before she became Cobb's wife. He helped plan the wedding, waited outside when the children were born and was there for the holidays. He helped reassure the children that their father was coming home. They were his family to.

You can't have one without the other. One craved order, the othe revelled in chaos. One lived in a world of predictable numbers and the other inhabited a world of rubbed out pencil lines and eraser shavings. They knew what it meant to be a lover, to be half of a whole.

The CIA want information extracted from the mind of the daughter of a Russian oligarch suspected of election interference. Dominic Cobb is the famed extractor whose team are blackmailed into the taking the job. But once deep in the dreamworld, Elena Rostova's dangerous lucidity poses a threat to Eames' life.

Arthur v. Nightmares: "He pushed the door closed and slid down its frame, his slight form curling in on itself, forehead to knees, arms over his head, panting for breath, bare toes spread on the cold concrete of the balcony, trying to ground himself in tactile sensations. Real sensations."

"Quick, give me a kiss", Arthur says when the projections become suspicious. And Ariadne does. It's not a long or even passionate kiss, but it sets some things into motion. Let's look into Ariadne's head and what happens that the camera doesn't show us.

At 17, Arthur knew he'd figured out what love was. At 18, he knew he was wrong. At 17, Arthur believed in destiny. At 18, he knew there was no such thing as fate. At 30, he found out he was wrong and he was right. Arthur/Eames slash, first-time boyfriends meet up again, Canon AU.

Cada vez que cerraba los ojos veía su rostro, y no sabía ni siquiera si ella existía. AriadnexRobert. Conjunto de Drabbles conectados entre sí. Post-movie.