A teenage Luce Worth drops in on Lamont at his summer job in order to get out of the heat and perform a little sexual harassment in the workplace. Semi-follows Youthful Indiscretion. Stand-alone. Luce/Lamont.

Fifteen-year-old Conrad Achenleck had problems before he met Luce Worth. Problems meriting psychiatry and resulting in insecurity, neuroses, and a real need for a friend. Luce is not that person, but he fills a void. Young!conworth, including Lamont.

Backstory fic. Thirteen-year-old Lamont Toucey isn't quite big enough to hold his own when his big brothers gang up on him, but he did not expect to run into a supernatural nasty while tending to his wounds up in the attic. Or for her to be a tiny bat.

AU. A version of events in which once being female doesn't stop Hanna from encountering magicians, back-alley hacks, and zombies with a heart of gold. Series of ten drabbles where Hanna is FtM transgender. Hanna/Zombie.

1sentence challenge. A collection of moments between Worth and Conrad; incidents together as well as their thoughts and feelings towards each other. Conworth. Will be five parts, fifty sentence-fics each.

Psychology of a Hummingbird canon. For all that Luce does not call it a relationship, he knows the one year mark is important to Conrad, almost as important as the yearly art gala Conrad just can't get into. But Luce can fix that. Young!conworth.

The important thing is, Lamont doesn't share. He doesn't consider it unreasonable to expect Veser to be loyal. He especially doesn't appreciate Worth getting Veser drunk and impinging upon yet another one of Lamont's relationships. Lamont/Veser.

A Thanksgiving dinner at Hanna's, prepared by his undead friend, and in the company of Conrad, Worth, Toni, Veser, and Ples. Food and drink had by all. Hints at Hanna/Zombie, Worth/Conrad, and Veser/Toni, but all pairings are light enough to be ignored.

Pushing the Envelope sequel. Worth expected Conrad to do him some damage. He did not expect Conrad to be cognizant enough to know exactly what sort of damage Worth would not appreciate. Conworth, top!Conrad.

In which Hanna goes trick-or-treating dressed up as "Conrad the Vampire" and Zombie accompanies as "Doc ZombieWorth" and the two drop in on the good doctor and his nurse assistant for the night to share holiday cheer as candy. Hanna/Zombie and conworth.

After resisting Worth's inelegant advances, Conrad gives an ultimatum. Worth goes a session with the therapist of Conrad's choosing. Conrad sleeps with Worth however Worth likes. Problem? She's a hypnotherapist. It was just one suggestion... Conworth.

Hanna has a habit of placing little crosses on all of his prized belongings. Hanna also sewed Gallahad's arm back on the night they met with cross-shaped stitches. It isn't a coincidence; Gallahad wishes to puzzle out the meaning. Hanna/Zombie.

A series of drabbles chronicling various peeks into Hanna and Gallahad's shared life, presented in the form of a scrapbook. Mostly cute, fluffy scenes where the romance is subtle to ignorable, but with some smuttier bits. Will be 100 parts. Hanna/Zombie.

Luce Worth remembers how he met Conrad Achenleck, remembers the downward spiral of his thoughts, remembers all the unfamiliar bathrooms and the final culmination. Psychological. One-sided Conworth. Non-con.

Conrad has been sending Worth messages on his phone for a long time, out of the vain hope Worth will cease his jerk replies and maybe even come for coffee. He finds that all he needs to do to catch Worth's attention is change it up a little. Conworth.

Luce Worth has asked Lamont Toucey to do a lot of things for him in the course of their friendship, some more palatable than others. This is one of the less palatable ones. Lamont wishes Worth wasn't getting off so bad. Lamont/Worth, sounding.

An invitation by Worth to look at old art junk in a basement is not a date. It's an exploitation of knowledge to sell the stuff. It's also a plain old bad idea if Worth finds objects that start giving him ideas. Conworth, abuse of theater props.

Lamont has a reason to be suspicious when Worth invites him for drinks in the office, too familiar with his friend not to suspect an ulterior motive. Perhaps if he'd been more suspicious, he would have guessed something was put in his drink. Lamont/Worth.

It can be assumed that as Worth is a masochist as an adult, he was likely so inclined in his youth. And youth is always the best time for experimentation. Involves a cactus. Explicit character study? May be disturbing; likely not actually funny.

Worth contrives a classified delivery to get Lamont into his clinic, proceeds to talk as if he's in a deliveryman porno to provoke a fight, and thereby obtains every last thing he wanted. Lamont may still be confused. Lamont/Worth. Disturbing content.

Ples has a little hobby where he dresses up as his female alter-ego "Plesha" in order to perform for karaoke hour at his favorite bar, as a bit of a local hit. It's fine until the night some folks from his real life come in. Plesha, though, can juggle.

Adelaide heard her baby bat has a thing for a werewolf, and what's mommy to do but investigate the mutt, with news of Conrad's feelings on her lips but no desire to inform Toni so easily. She'd rather play. Adelaide/Toni, semi-follows Parenting Trials.

Better than a relationship based on biting and animosity is the one where Worth can feign civility, where he can put on a show of being so sickeningly sweet in giving Conrad a perfect night that even he almost believes it. Almost. Conworth.

Veser thinks it's perfectly normal to invite Hanna to a party, run off with the hostess, and then drag Hanna aside for a raunchy retelling of his experiences. Worse yet, this is followed by a pass at Hanna which he does not rebuff. Veser/Hanna.

Veser can appreciate being able to open a person up like a complicated puzzle, to touch the bits that comprise them directly and to change them by simple contact. Involves gearkink and spoilerishness. Veser/Ples.

After being cut loose for one night by Casimiro, Finas decides to antagonize Conrad on his own. In the course of their jaunt they stumble upon Ples, and necessitate a visit to the good doctor Worth. Finas POV, slight Conworth, explicit craziness.

Hanna tells Ples he's possessed. Zombie, Worth, Lamont, and Veser accompany the redhead to help with the exorcism. Ples really doesn't think this is standard procedure for such things; this feels more like a group sex conspiracy.

Lamont knew Adelaide through work. She might be dangerous and he might be scared of her but even he has to admit that she's a sexy lady. And then she comes calling at his "work" storage unit and what's a guy to do? Lamont/Adelaide.

Adelaide heard about a certain doctor who likes to be bitten. Conrad doesn't want to let her touch what's his, no matter how little impressed she may be. Adelaide's POV, heavy Conworth, semi-follows Parenting Trials.

Adelaide will keep her spawn now that she's made it, even if she has to teach her baby bat how to drink proper food herself. Even if she has to invoke his fascination with that doctor to do it. Adelaide at Conrad, hintings of Conworth.

First kisses aren't supposed to happen in bars, or because he's probably half-drunk, or because you think you have a secret weapon. And certainly don't tell him he can forget it in the morning. Sequel/Prequel to For Yet Another Time. Veser/Ples.

Veser didn't get his way. He put in the time and lost it, over and over, pursuing Ples. By his own choice. He figures there's no way to get it back, just to dispel the supernatural and make another pass. Sequel to For Yet Another Time. Veser/Ples.

Veser may be cocksure and may know what he wants, and he may be perfectly willing to take it. But he might not be honest. He might be willing to place faith in unstable forces to ensure he isn't hurt and he gets his way. Veser/Ples.