Off in the night while you live it up, I'm off to sleep. Waging wars to shake the poet and the beat. I hope it's gonna make you notice someone like me. Carter/OFC, AU seasons 10-15, sequel to THE DIFFERENCE & KEEP BREATHING

For all you know, this could be the difference between what you need and what you want to be. Carter/OFC, AU seasons 7-10, sequel to KEEP BREATHING

I want to change the world... instead, I sleep. Carter/OFC, AU seasons 4-6

"I may want to give you the world," he growls, "But I'm not above ripping apart everyone else in your life to do it." Klaus pays Caroline a house call after the Mikaelson Ball. Oneshot.

You like to think of your mind as a house with a thousand rooms. It's just some of them you like to pretend don't exist.

They ruin every romance by trying to make it last forever. Mason and Daisy.

'A man can be happy with any woman, as long as he does not love her.' Implied Damon/Caroline. One-sided Stefan/Caroline. Damon-centric.

*SPOILERS THROUGH 2x11 INCLUDING A LINE FROM A 2x12 PROMO!* The truth is supposed to be neat. Tidy. A light in dark places and all that. But what if it isn't? Stefan/Elena moving quickly and with certainty to Damon/Elena

Post-ep to 2x11. It's the morning after his transformation and Tyler is struggling to get his head around the enormity of his situation.

"She hates what he can reduce her to with a flick of his tongue or a scathing remark from his lips." Caroline/Damon

“If we shouldn’t be doing this,” he whispers, his nose just grazing Elena’s as he lowers his body to hers once again, “why do you keep coming back to me, Elena?” Damon/Elena. Total PWP

Mason’s got a new addiction in George. “The feeling of that chase, that beautiful chase to obtain that permanent high and keep it always, has awoken inside of you once more. // And like that, you’ve found a new drug.”

And then comes the day that nothing changes but everything's different. The story is in what they don't say. A study of Mason/George without being Mason/George.

New Moon AU. Edward returns home from Volterra to a wary Bella. Edward talks about his ugly past. Bella goes shooting. Racism themes.

Mason isn't one for thinking, it never takes him anywhere he wants to be. Bar scene from Death Defying with the obvious Mason/Daisy and a start of Mason/George.

He hated the idea of labeling themselves as a 'couple', but that's what they'd become. George/Mason, teen for language as well as drug and alcohol reference.

An empath's thoughts about a telepath. Jasper's private concerns regarding Edward and Bella as they race towards marriage.

They don't love each other. Or maybe they do. Mason and Daisy, and the choices we make.