SCREAM: WOODSBORO HIGH: Season 3 Chapter 1: Episode 01: I'm a Creep: Part 1, a scream fanfic

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Ladies and gents, welcome back to WOODSBORO HIGH for it's THIRD and FINAL season. No introductions this time around, we're gonna jump right into business. Do not forget to add this story to your story alerts, your favorites and me as a favorite author as well as author alerts!

301 - I'm a Creep (Part 1)

PREVIOUSLY ON WOODSBORO HIGH:
- Roy was offerred a job at a radio station.
- Robbie came clean to Niley about his one night stand with Solai...
- But also another secret came out.
ROBBIE: I'm gay.
(Quick shot of Charlie overhearing outside the door)
- Mr. Leeds came home to find a surprise.
(Ghostface unveils theirself - Chelsea)
- And had to take care of a mess, resulting in Chelsea's death.
MR. LEEDS: I'm sorry.
(He pulls the trigger underneath Chelsea's chin)
- Jill left the prom early to visit Patrick.
- Only for him to reveal an obsession...
PATRICK: I used to live in Billy Loomis' house.
- That lead to grave matters.
(Jill wakes up in the body bag)
- Which resulted in revenge.
(Jill STABS Patrick in the chest.)
- And only one person to go to for an alibi.
JILL: (to Niley) You owe me.

SMASH TO BLACK.

1.
FADE IN:
INT. KIRBY'S BATHROOM - NIGHT
TITLE CARD: April 2011
Jill looks into a mirror... cold... distant... she breathes heavy. She's wearing all black, almost like a robe. A bit of flannel-plaid sticks out from the top near her neck that's tucked in underneath. Her eyes shift, thoughts racing within her mind.

She's been leading to this moment for awhile... she's been planning this for months. She knows she can't fail... there's so much on the line... she looks down into her hands - BELOW FRAME WHERE WE CAN'T SEE - she places a webcam like device into a black mass in her other hand, setting it precisely. She looks back up in the mirror... she takes one last breath.

JILL: It's showtime.

She places the black mass on top of her head - there's white on the front also - stretching it over her face - IT'S A GHOSTFACE MASK. Ghostface (Jill) stares in the mirror a moment longer... screams come from outside the door. She lifts a knife into her eye view... testing it's sharpness with her finger... she turns her head to the door, holding the knife to her chest... ready to strike. She opens the door... and EXITS.

SMASH TO BLACK -

MAIN TITLES:
DIMENSION FILMS (a white, suburban house, eclipsed by the moonlight)
and
AMC CHANNEL present (a dark, bloody basement)
Starring
JILL ROBERTS (framed picture on a wall, her smiling; it's cracked down the middle)
CHARLIE WALKER (yearbook photo for the Cinema Club, a bloody handprint off to the side)
OLIVIA MORRIS (the yearbook pages flip to Olivia, school picture, her eyes CUT OUT)
ROBBIE MERCER (a computer screen advertisement, webpage - HALL PASS with Robbie Mercer)
TREVOR SHELDON (a ripped in half photo, someone else has been cut out - it's pinned to a wall)
JENNY RANDALL (a smiling picture of Jenny is pinned to the wall next to Trevor's)
MARNIE COOPER (a random photo - a noose drawn around her neck, connected to the ceiling)
NILEY KRINKEY (a small photo of her on a key chain; a headshot like photo)
KIRBY REED (newspaper photo of her crying during the Penciatti Hotel incident, her friends consoling her)
ROY POPPER (the newspaper flips a page to Roy at his radio desk; headphones on & the ON AIR light on)
with
SHERIFF DWIGHT RILEY & GALE WEATHERS-RILEY (old newspaper pic of the two - first Scream era)
and
SIDNEY PRESCOTT (the "Out of Darkness" inside photo of her, a huge CIRCLE drawn around her head)

SMASH TO BLACK -
(white lettering PUNCHES through)
SCREAM:
WOODSBORO HIGH
The Third and Final Season

Based on Events and Characters by Kevin Williamson
Teleplay and Concepted by Billy Bob D

FADE OUT.

2.
FADE IN:
INT. ROBERTS RESIDENCE - MORNING
TITLE CARD: June 2010

Kate sits at the table... a cigarette to her lips and her knees bouncing. She has a phone next to her... she's stressed beyond belief. The front door opens and she springs up. Jill enters, her head down and trying to avoid contact with her mother.

KATE: Oh, my God! Where have you been?
JILL: Niley's.
KATE: What? Jill, you were declared missing hours ago! They heard your voice over Chelsea's phone -
JILL: I lost my phone. Apparently she had it. I heard all about it though. And I'm fine.

Jill goes up the stairs. Kate wants nothing more than to talk to her daughter - but she resists, giving her space. Nah, fuck it. She charges up the stairs, heading to Jill's room. The door's closed already and Jill is inside.

KATE: You need to tell me when you're going to deviate from a plan! You were supposed to be at prom all night!
JILL: Whatever.
KATE: (beat) I'm taking away your car.

Jill opens the door, furious.

JILL: You're what? !
KATE: You want to disobey the rules, I have to take proper action.
JILL: How am I suppose to get around?
KATE: You can get a ride.
JILL: From who, Kirby? She just wrecked her car a few months ago!
KATE: I have no other choice, Jill. The payments on it are getting to be too much anyway. Your father's no longer alive so we have no need for it.
JILL: He's been dead for months. You mean you have no need to create the illusion that he's alive anymore by paying off his car.

Jill slams the door. Kate inhales her cig - she nods to herself thinking she's made the right choice.

INT. TREVOR'S ROOM - MORNING
Jenny puts on her bra, looking for her gown. Trevor lays in bed, watching her like it's a funny game show.

JENNY: Help me find my gown!
TREVOR: You're like a chicken with her head cut off.
JENNY: I am gonna be in so much shit when my mom realizes I'm not home. And what are you gonna do when Jill calls you any second, huh?
TREVOR: I don't care what she thinks anymore.
JENNY: Oh yeah, why not?
TREVOR: Because I love you.

Jenny stops in her tracks. She turns around. He sits up a bit more.

JENNY: You what?
TREVOR: I love you.
JENNY: You're with Jill.
TREVOR: A mistake I need to fix.
JENNY: What do you mean?
TREVOR: I wanna be with you, Jenny.
JENNY: Jill used to be my friend, that's not gonna -
TREVOR: Keywords here, USED TO. Am I right? Who is she to say we can't be together?
JENNY: You wanna be with me?
TREVOR: Especially after how amazing last night was...

Jenny smiles, blushing. She unhooks her bra slowly, teasing Trevor and throws it to the ground, running back to the bed and getting in the blanket with Trevor. They kiss as she saddles on top of him.

INT. SHERIFF'S OFFICE - MORNING
Mr. Leeds sits in the hot seat, Dewey in front of him with a notepad.

DEWEY: I know this isn't easy but Chelsea's mother is here. She wants to hear the whole story, from you, since you were there.
MR. LEEDS: There's nothing much to say other than -
DEWEY: I know, but... for closure, for her sake.
MR. LEEDS: Sure, bring her in.

Dewey nods and walks to the door, opening it. In comes Chelsea's Mother, a blubbering mess. She sits down in front of Mr. Leeds. He's apprehensive about speaking too soon.

CHELSEA'S MOM: I - just wanna know. I wanna hear it from you. You were there in her last moments. Chelsea's always been troubled - especially when it came to men. I'm sure you know about what happened with her old friend.
MR. LEEDS: No, I don't.
CHELSEA'S MOM: Same thing that happened to you. She drugged him, had sex with him and - that's how she became pregnant in the first place.
MR. LEEDS: Oh, I had no idea that was the situation. She never implied that.
CHELSEA'S MOM: It's not her fault... her father and I were an explosive couple. She had to have learned it somewhere, right?
MR. LEEDS: Don't blame yourself.
CHELSEA'S MOM: Could you just - ?
MR. LEEDS: Oh... sure. Okay, um... I came home after my chaperone duties were finished at the prom. When I entered, I saw blood and glass on the floor, trailing to the basement. I entered the basement and found Chelsea standing over Katherine Maleficent's body. She uh, she stabbed her multiple times. In that moment, she then threatened me to help her get rid of the body and if I didn't, she would kill me too. She... wanted to run away with me. I had no other choice but to... lead her on and say that I would, in effort to hopefully think of a strategy out.

She begins to cry, shivering from the thought of it all.

MR. LEEDS: So we went to a place of her choosing. She said the Penciatti Hotel because - that's where everything went wrong, she said. She didn't make it very clear.
CHELSEA'S MOM: That's where he died. Prichard. The father of her baby.
MR. LEEDS: Oh... then it makes sense than... a bit more. (beat) Anyway, she started to bury Katherine's body and... I realized that no matter what, I was gonna be stuck in this situation. And that I would rather just... run for it, chance it, if I had to. As I started to leave... that's when she put the gun to her - to her, um... under her chin. She threatened to shoot herself if I left. So I stayed, momentarily, tried to tell her - that we couldn't do this. That it was wrong. She then started to... say things like... she felt guilty. Not just over Katherine but over other things... she said something about people thinking she was a baby killer and that really got in her head. And she said that the place was where she belonged. With the one she truly loved. I didn't know what she meant by "the one" but... now that you say that's where Prichard died... well, she asked one more time for me to stay... I told her no... and she shot herself, without warning. Just like that.

Her head goes down, a long sigh that results in a cry that comes out of her.

CHELSEA'S MOM: My baby is gone.

Mr. Leeds puts his hand across the table, going to comfort her. She stands up abruptly and heads for the door.

CHELSEA'S MOM: Thank you. Goodbye.

She exits. Mr. Leeds sits back in his chair... going over the story in his head...

3.
SMASH TO:
INT. WOODSBORO HIGH - QUAD - LUNCH TIME - DAYS LATER
Kids wander around campus, all gossiping to each other over what happened during the weekend. In the midst of it all is Jill. She feels uncomfortable among these people - as if they know her secret. She enters the cafeteria lunch line.

INT. CAFETERIA - CONT'D
She picks up her food and places it on a tray. She looks up - Roy's hand grabs hers, accidentally as they both reach for the last String Cheese.

ROY: Oh, sorry Jill, you can have it.
JILL: Oh, no... you. I'm on a new diet anyway.
ROY: Oh. So how was prom? I miss out on anything?
JILL: I wouldn't know, I left early. Cory and Trevor started fighting and - have you seen Trevor?
ROY: Nope. (sighs) I don't see much of anybody anymore. Tess consumes all my time.
JILL: Well let it be known you need friend time still.
ROY: I try and it never works out too well.

They reach the cashier. Roy pays and waits for Jill outside. Jill puts her trey up, the cashier ringing up her items.

CASHIER: $6.66
JILL: (did I hear that right?) Uh, how much?
CASHIER: $3.33.
JILL: (beat) Oh. (handing it over) Here.

INT. QUAD - CONT'D
Jill exits quickly, Roy following her out towards the fountain.

ROY: So I got a radio gig offer. I was wondering if you think I should take it.
JILL: Why wouldn't you?
ROY: Seems like a lot of work.
JILL: Roy, do it. Maybe you can - interview me when I get famous.
ROY: Oh right, ofcourse. Not for me, for you. I get it.
JILL: I'm just saying, this will be great exposure. Gain a fan base.
ROY: Thanks. Sometimes you say exactly what I need to hear.

Roy walks off, seperating from her as she just reaches the fountain. Olivia, Kirby, Robbie & Charlie are already there.

JILL: Where is everybody? We're missing a few of our gang.
OLIVIA: Oh, stop pretending like you care, Jill. We all know you only need me.
JILL: How could I forget.
KIRBY: Well Roy's with Tess, I think I saw Niley a minute ago and your boy toy has been MIA all day.
JILL: That fucker, nobody's seen him.
OLIVIA: Nor Jenny. (beat - they all look at her) Just saying.
JILL: You're gonna make me paranoid, stop it.
OLIVIA: You could interrogate her carnie friend.
JILL: Why is she a carnie - Olivia, you're so mean.
OLIVIA: You spat in her face and I can't call her a word?
KIRBY: You spit in someone's face? Who we talking about again?
JILL: Yeah, it was - I was kinda overreacting. It was the heat of the moment -
OLIVIA: Oh no, that shit was super funny. Marnie the Carnie was trying to be all tough and then hock-too! Spat in that bitch's face, she was all shocked.
KIRBY: That's not very Jill-like.
OLIVIA: Jill's turned over a new leaf, you haven't been around to see.
KIRBY: Oh, thanks for making me feel bad.
JILL: I'm still the same Jill!
OLIVIA: (turns to Robbie and Charlie) Hey faggots!

Robbie sits up and looks at Olivia, wide eyed and a "don't you dare say anything" face. Olivia giggles.

OLIVIA: Quit being so quiet, talk to us.
KIRBY: Olivia! They're going through stuff.
OLIVIA: Psh, we all are.
KIRBY: I'm sorry Charlie, I miss Stephie too. You gonna be okay?
CHARLIE: I'll be fine.

Jill feels bad. She didn't even get to say goodbye.

KIRBY: And what about you, dumb fuck?
ROBBIE: We're gonna start with that now?
KIRBY: You cheated on Niley, the name is warranted.
ROBBIE: It was an accident.

Olivia sits quiet.

JILL: Niley was devastated when I saw her the morning after, Robbie.
ROBBIE: I feel bad as it is, please don't!
KIRBY: Now that I think about it... she's gonna be uncomfortable being here.
ROBBIE: Well what do you want me to do, leave?
KIRBY: ... yeah!
OLIVIA: Hey, Robbie made a mistake. If Niley wants to be an adult over HIS mistake, she won't just abandon all of us for it. Speak of the woman.

Niley walks over... she seems determined...

NILEY: Hi.

She stays standing.

OLIVIA: Sit down, love.
NILEY: No, I'll be quick.
KIRBY: Something wrong?
NILEY: With some of you...
JILL: Excuse me?
NILEY: You were all there when he - (points to Robbie) fucked that skank.
KIRBY: (puts hand up) I wasn't present for that one.
OLIVIA: Yeah, neither was I.
NILEY: Well the rest of you... you were there. And you didn't tell me.
JILL: So... you're talking to just Charlie and I exclusively?
NILEY: I suppose so...
JILL: Niley, this was Robbie's mistake, it's not our place to tell you.
NILEY: It happened nearly 2 months ago, you could've and you should've said something.

Jill flashes an "I'm gonna kill you" look to Robbie. Robbie shrugs, he knows he fucked up.

JILL: We told him to tell you -
NILEY: But he didn't... which left you two.
JILL: Roy was there too. Just saying.
NILEY: He said he didn't know.
ROBBIE: Well I guess that's possible, he wasn't in the room -
NILEY: Shut the fuck up, Robbie! I've made my alliances... I can't trust any of you.
JILL: Niley!
NILEY: I'm sorry.
OLIVIA: Okay, Robbie, get the fuck out of here so Niley can feel comfortable.
ROBBIE: And go where? !
NILEY: This isn't about Robbie, aren't you listening? This is about all of you! You knew how paranoid and scared I was about something happening... letting it happen, okay, you're off the hook for that. But knowing about it and not saying anything to me? That hurts... almost as much as him doing it.
KIRBY: Quick question, I'm exempt from this hatred, correct?
OLIVIA: And I was with you the entire time, so -
NILEY: (shrugs) I don't HATE anybody, I just feel - betrayed.
JILL: Niley, believe me when I say that was never our intention!
NILEY: Intention or not... it's what you do that counts. And you all showed me who really are.
OLIVIA: You all, excluding Olivia.
KIRBY: And Kirby.
NILEY: No, you guys too.
KIRBY: But we didn't do anything.
OLIVIA: I was with you that night!
NILEY: But you're not exactly taking my side in this!
KIRBY: Your side?
NILEY: You shouldn't hang out with Robbie anymore but you are!
OLIVIA: That's childish, Niley.
NILEY: And when have you ever known for me to be a grown up? !

A tear falls from Niley's eye... she walks away. Jill sits there, paralyzed. She jumps up.

JILL: Niley, please.
NILEY: You were there! And you knew and you didn't SAY ANYTHING! You're just as bad as he is... all of you!

Niley walks off again, leaving Jill behind. Kirby makes light of the situation.

KIRBY: Except for me, you all heard that right?
JILL: (sitting back down) Shut up, Kirby.

Robbie is ashamed, his head down. Olivia knows the real reason why - she can't say anything. And in his own way... so does Charlie.

JILL: Niley's no longer our friend, thanks Robbie.
ROBBIE: What do you want me to say?
OLIVIA: You heard what she said. Robbie is our friend, too. Niley made a choice. She'd rather leave us behind instead of work things out. Robbie was willing to sit here and try and work things out. Niley didn't. That's the end of that.

4.
CUT TO:
INT. LEEDS LIVING ROOM - DAY
Mr. Leeds enters his house and throws his keys onto the table next to the door. It's been a long day - the exhaustion has been overwhelming. He sets his suitcase down on the kitchen counter and opens the fridge. He stops for a moment and looks over tot he basement door... he shivers and exits without coming in what he came for.

He sits down at the couch and turns on the TV... he skips through the channels but his mind can't focus - thoughts splice through at a rapid pace almost as fast as the channels changing. He puts the remote down and just watches whatever channel he landed on.

CHELSEA: I hate this fucking show.

He turns his head - CHELSEA SITS NEXT TO HIM ON THE COUCH. He jumps out of his skin, off the couch and onto the floor. He crawls backwards, completely terrified.

MR. LEEDS: How did you get in here? !
CHELSEA: Relax, Mr. Leeds. Come sit.
MR. LEEDS: You're dead...
CHELSEA: THANKS TO YOU.
MR. LEEDS: ... I'm calling the police.
CHELSEA: They'll just think you're crazy. I mean, you are but - you don't wanna go to jail, do you?

He can barely speak... this is beyond words for him.

MR. LEEDS: How did you do it? How are you alive? I saw them put you away in a bag!
CHELSEA: Oh, I'm very much dead. (lifts her head to show a bloody hole in her chin) You did that, remember? Or, wait... according to you... I did that to myself.
MR. LEEDS: What the fuck is going on?
CHELSEA: Don't you worry about a thing... we'll take good care of each other...

A sinister smile forms on her face...

CUT TO:
INT. CHARLIE'S DINING ROOM - NIGHT
Charlie sits at the middle of the table... his parents on both ends... they eat while he sits there... unable to take a bite. His mother looks up...

CHARLIE'S MOM: Charlie, you have to eat something.
CHARLIE: I'm sorry, I just can't.

Charlie backs out from the table and quickly exits the room. His parents look at each other -

CHARLIE'S MOM: You should talk to him.
CHARLIE'S DAD: He'll get over it... it just takes awhile...

He goes back to his meal... she nods and agrees and continues to eat her own.

INT. CHARLIE'S BATHROM - CONT'D
Charlie enters the bathroom and leans onto the counter - he tries to take control of his breathing - something squeezes inside his chest. He falls forward, unable to take the pain any longer. The entire room begins to SHAKE - the mirror, the shower curtain, toilet - everything. He rises and opens the medicine cabinet admist of everything violently moving around him.

He pops open his pills and takes two, swallowing them whole. The room continues to break apart in front of him - he falls to his knees and his vision BLURS. His breathing slows... the room slows down... he gets up from the floor and looks back at the mirror - it's still. The room is no longer a mess - everything is back to where it belongs in perfect order.

INT. JILL'S ROOM - NIGHT
Jill sits on her bed, slowly rocking back and forth... she picks up her cell phone and dials Trevor's number. Straight to voicemail.

JILL: Fuck this.

She grabs the keys off her dresser.

EXT. JILL'S DRIVE WAY - CONT'D
Jill enters her father's car and turns it on, speeding backwards out of the drive way and into the street. A CAR NEARLY HITS HER as they go around - Jill doesn't even flinch. She speeds down the street.

EXT. TREVOR'S HOUSE - CONT'D
Jill parks outside and exits the car, charging towards the door. She knocks fiercely - no answer. She begins knocking again - the door swings open. Trevor softly pushes Jill back and closes the door behind him.

TREVOR: What are you doing?
JILL: Why haven't you been answering your phone?
TREVOR: (beat) I lost it.
JILL: You lost it? So why didn't you come to school?
TREVOR: ... personal day?
JILL: And when were you gonna notify me?
TREVOR: I'm sorry, Jill, I didn't think I had to report to whenever I felt like staying home.
JILL: ... I was worried about you.
TREVOR: From the sound of the knock, sounds more like you were suspicious of me.
JILL: Do I have any reason to be?
TREVOR: Ofcourse not.
JILL: Then why did you mention it? I could've been - a number of emotions towards you while knocking on your door, why was "suspicious" the first to pop into your head?
TREVOR: (smile) Get the fuck outta - you're fucking with me right?
JILL: (inches in, in complete seriousness) I don't fuck around.
TREVOR: I'll be at school tomorrow. Okay?

Jill examines his face as if she could detect a lie or anything fishy.

JILL: Okay. I'm sorry I was acting like that, I was just - I was psycho.
TREVOR: (smiles) You love me, I get it.
JILL: Do you love me?
TREVOR: (beat) Yeah.
JILL: Say it.
TREVOR: (beat) I love you.

Jill stands on her tippy toes to kiss him on the lips. She smiles while stroking his cheek and walks back to her car. Trevor seems confused...

TREVOR: I'll see you in the morning, right?

She waves and gets in the car. He gets back into the house.

5.
CUT TO:
EXT. CHARLIE'S HOUSE - NIGHT
Charlie exits the house and looks in front of him - Jill's car is parked by the curb. He slowly walks to her car and enters into the passenger seat.

CHARLIE: You okay?
JILL: (beat) You're the only one I know that - stays up this late. I needed someone to talk to.
CHARLIE: About what?
JILL: Trevor's cheating on me.
CHARLIE: What?
JILL: I don't know with who or what but he is.
CHARLIE: Are you sure?
JILL: I tasted a flavor of lipgloss on his lips that didn't belong to me and it certainly wasn't chapstick he was using. It was a girl's.
CHARLIE: There could be - a thousand explanations to that, Jill.
JILL: Don't cover for him, Charlie. I think we both know it's true...
CHARLIE: Did you tell him anything?
JILL: I don't want to say anything yet. Not until I figure out who it is or until I catch him...
CHARLIE: Suspicion can ruin a relationship, Jill... believe me.
JILL: I just don't know what I did wrong, ya know? I thought I found the guy, I thought that he was the one - it just all seemed to make sense and now I don't know. Maybe it's just me, maybe I'm too overbearing.
CHARLIE: It's not you.
JILL: Charlie, c'mon. Haven't you seen the way I handle you guys? It's a wonder why you still have me around. I boss you guys up and down and it's ridiculous, I don't know where I get off doing that. Maybe it's some unknown desire to be in control since my whole life, I never truly have been. (beat) I can't control my parents. I can't control what family I was born into. I can't control my relationships or my friendships - as much as I try to. I lose everything because I want it to be something else so badly that whatever I focus on it being or plan on it being, it just deviates. I don't know why I try. I don't know why I tried with my mom to fix things with my dad. I don't know why I tried to play buddies with my cousin who clearly has an entire life of her own to even give two shits about me or pretend I exist. I don't know why I tried with Robbie to tell Niley the truth and I don't know why I tried to handle Patrick on my own or Cory after he jumped off that bridge. And I don't know why I'm trying so hard with Trevor to like me when clearly he has a thing for someone else whether it be Jenny or - fuck, whoever. From now on, I just need to let things be. If he wants her then fuck it, let him have her. I won't try to control it. If I find out then I find out. If not, maybe we'll just fall apart naturally. I can't keep trying to control every little aspect because the universe has it out for me man, I'm telling you.
CHARLIE: That's no way to think, Jill. It's your life, it's only natural to want to be in charge of it's destiny. It's like Final Destination, ya know? Fate works out the way it's going to work out. I mean, whether they tried to change it or whether they just let it happen - fate always won. Until, well... they postponed fate. It eventually caught back up with them, ya know but... they won, momentarily at least. You can win momentarily. You can seize the moment - whenever that may be.
JILL: Seize the moment...
CHARLIE: Take advantage of opportunity. Find a way to make a change that you feel you need. A permanent change.
JILL: A good permanent change would be if my mother was no longer around...
CHARLIE: Jill...
JILL: I'm serious. Ya have any idea how many problems that would fix for me? Not nearly half of them but still... it'd be a good 35% less of bullshit to deal with. That's a 35% I could use right now.
CHARLIE: But you would never do that...

She doesn't respond.

CHARLIE: Would you?
JILL: (beat) You ever wonder what it would be like to just... kill someone?
CHARLIE:... no.
JILL: But do you think you could do it? Do ya think you have it in you?
CHARLIE: Are we talking like... with a gun or -?
JILL: Cold blooded, pre-meditated murder... with a knife.
CHARLIE: (laughs) No.
JILL: I think I could.

His laughter quickly fades off.

JILL: You don't have it in you? Not even to protect someone?
CHARLIE: Well that's different.
JILL: Is it? What's the difference between killing someone for your own personal gain and protecting a loved one? In the end, the knife penetrates the skin and their heart stops. And in the end, your doing it for your own personal reasons. Call it "self defense of your own free will."
CHARLIE: But that's what crazy people do - or think. That's why they're crazy.
JILL: Who the fuck decided what's crazy and what isn't? Maybe to me, crazy is killing someone because they're going to kill you or someone you know. My personal belief against someone elses, what's the difference? An education? Seniority?
CHARLIE: Then people would just be running around killing each other because they know the person wouldn't fight back.
JILL: People don't run around killing each other because they think they'll get caught.
CHARLIE: I'm gonna go inside now, Jill.
JILL: I have a gun to Stephie's head, you have a knife in your hand. What do you do?
CHARLIE: I'm not gonna play this with you.
JILL: I squeeze the trigger a bit harder and tears stroll down her cheeks. I'm an open target. What do you do?
CHARLIE: Jill.
JILL: She begins to cry out your name, screaming "help me!" The gun is at closs point range, there's no question, she would DIE. WHAT DO YOU DO?
CHARLIE: Stop it.
JILL: She begs me to stop but I tell her it's useless. I pull the trigger, the round explodes and the bullet lodges into her brain and out the other side of her skull against the wall. WHAT DO YOU DO?
CHARLIE: I'D CHOP YOUR FUCKING HEAD OFF!

Jill's surprised - a bit thrown back but liking this new side of Charlie. He combs back his hair, realizing he just nearly exploded. He quickly exits the car and runs back inside to his house. She watches him go enter and waits a moment... she closes her eyes and tries to calm down...

IMAGES OF HER STABBING PATRICK SLICE HER THROUGH HER MIND.

Her eyes open wide... she's fixated again... she turns the key to the ignition and looks back at Charlie's house...

JILL: Bingo.

She drives off.

The reviews this season are gonna have a bit extra, feedback wise. In addition to commenting on the numbered sections, you'll follow a list questions and then answer them. Some questions will be the same every episode, some will only pertain to that episode so be sure to read the questions each time.

Be sure to put actual input into the reviews instead of summarizing what happened in the sections. This includes what you thought of the section, liked/disliked, quotes you enjoyed, moments that stand out, particular wording/grammar usage that might not have worked or helped emphasize the scene, etc.. I truly appreciate your fanmanship of the show but a few of the reviews last season were very summary-like. I know what happens on the show, I wrote it, so no need to tell me.

a) What was your favorite moment from this episode?
b) Which character had the best dialogue/quotes this episode? And which pieces of dialogue in particular?
c) What vibe/theme are you getting the season is going for so far?
d) What more from Jill and Charlie's relationship are you looking forward to?
e)What themes would you like the show to feature in the future?