This is the final first chapter, the completed version, which I made into chapter 2 and then deleted chapter 1, so I could bump this story up and send an alert to all those who have this story on their alert lists. Note that I revised a few things, like the intro: it's longer now, so I can feel confident in saying that you should read the entire thing.

I hope you like it.

A picture hung crooked on a wall, a thick layer of dust covering it. It was of a large tower, its bottom surrounded by neon-lit buildings and smaller, yet also distinctive, landmarks. Great beams of light shined up at this tower, which seemed to get narrower the higher it went until one's sight reached its top floor; a distinctive, windowed, circular plateau supported by four beams of steel that emerged from its center, going outwards in four directions: north, south, east and west, purposefully resembling the centerpiece of a roulette wheel.

The building had its own neon sign near its base, with stylized red lettering which displayed it as the "Lucky 38," a casino. Behind the tower in this picture was the moon, full and bright, yet somehow paling in comparison to this magnificent feat of human engineering and architecture, this monument to gambling and wealth.

The Lucky 38 seemed like a symbol of man conquering nature, rising above even one of the most unreachable of places: the moon. At the bottom of this picture were the words, "Viva Las Vegas 2025!" betraying the picture's conception from before the Great War.

This wooden-framed, poster-sized photograph hung near an empty V.I.P. lounge, located on a higher level overlooking a casino with rows of slot machines, red and black carpeting, card tables and all manner of things one would expect to find in a casino located on the Vegas strip. Only completely and utterly devoid of human life. Cards lay on tables alongside poker chips, empty glasses litter the bars, stools and tables occasionally overturned. To say the place was out of order was a bit of an understatement, yet it still remained nostalgic of the elegance of pre-war life, as if frozen in time.

The interior of the Lucky 38 was impressive, even given the lengthy amount of time that had passed since anyone living had entered its halls. Its design was made for comfort, both for the body and for the eyes. Symbols of diamonds, hearts, spades and clubs were artistically incorporated into the walls, the floors and the columns that stretched up to the casino floor's tall ceiling. Smooth music filled the area from aged, yet still functioning, speakers, despite nobody being around to hear it. An artist who died long ago by the name of Sinatra sang a somber, slow tune about a blue moon.

Outside the halls of this dust-filled dead casino were other buildings much like the Lucky 38, though not as tall or magnificent as the still-lit tower. A full moon shined down on the other casinos which lined the streets, with names like "Gomorrah" and "The Tops." Each of these buildings had beautiful, eye-catching lights and signs that advertised what they had to offer to the multitude of individuals in the city streets, be it booze, card tables or cheap shows. A few small groups of soldiers in tan uniforms walked down the center of the road, waving a flag with a two-headed bear on it and holding bottles of liquor in their intoxicated hands. Tourists and other gamblers, each dressed sharply in suits and dresses, walked down its sidewalks. A group of women, soldiers as well and just as drunk, danced in a fountain in their underwear.

A small police siren was heard as blue, boxy robots with arms who moved on one single rubber wheel approached the women to issue a mandated warning that the fountain was off-limits and for wishes only. Their nearby commanding officer looked at them with a mixture of disappointment and embarrassment before walking up to them and ordering them out of the fountain and back into their uniform, promising that they wouldn't hear the end of this once they returned to their post.

The vehicle-free road eventually came to a stop when it reached a large wall constructed of chain-link fences with barbed wire at the top and reinforced with a multitude of sheet metal, old signs, poles and scrap. The great fence lined the entire city with the intent to keep those who were not welcome, out. Just beyond this wall on one side of the city was a sign which faced outwards from the shining city, which had, at one time, read, "Welcome to Fabulous LAS VEGAS." Only now, new lettering had been placed over the "LAS" part of the welcoming sign, so that now it read, "Welcome to Fabulous NEW VEGAS."

The lights on this sign still worked, for the most part, which helped to conceal a sniper who sat on a small perch behind it. This man was like many others, a ranger who guarded New Vegas from harm. He sat up from his perch and turned on his helmet's night vision. He saw movement and took out his weapon, an anti-material, high penetration rifle. It was an impressive firearm, more than half of his body height in length. He carefully aimed it, holding it masterfully with the stock of the rifle to his shoulder, his head angled to look through the scope, and fired in the timeframe of mere seconds.

The gunshot was loud, and a small amount of flames were emitted from the end of this powerful gun's barrel. The bullet found its mark: the head of a fiend attempting to aim at him. The drug-addled raider twitched before falling to the ground, dead, near an old motel. The sniper reloaded his gun without giving the body so much as a second glance.

Further away, out of any patrolling sniper's sight and looking down on New Vegas was a group of soldiers. One of them looked through a pair of binoculars, while another silently rallied them to move into an organized attack party. Unlike the soldiers inside the city, these wore black and red armor in the style of ancient Roman soldiers. They carried spears, machetes and similar weaponry, and stood behind a red flag with a golden bull in the center. The one holding the binoculars looked down upon New Vegas, the shining jewel of the Mojave and a large part of the goal in their regional conquest.

The wasteland of the Mojave desert is a place of incredible people, places and happenings. It is a place where fortunes are won and lost at the roll of a die, where great minds conspire to control and where lives are lost every single day. Power looms beneath the surface, waiting to be found and exploited. New Vegas' own Mr. House, Caesar and his Legion, the New California Republic and its democratic leaders and politicians, they are merely the most recognizable gamblers for this power. But the obscure, the relatively unknown, they are the ones with the greatest stories to tell, and the most obscured of futures... and pasts.

A woman, kicked around by the world and drowning her sorrows in whiskey, trapped in a prison of self-doubt and contractual obligations. A sniper, pained in the past and living in darkness, seeking retribution against a person he does not know. A scientist, burdened by the troubles he sees daily and wishes to correct, torn between his sense of tradition and his independence. A warrior, shunned by her family and her home and seeking answers from the old world, losing friends and mentors yet never submitting. A mechanic, troubled by age and feeling the world slowly leave him behind, silently defiant yet hurting all the same. A grandmother, losing her mind and trying desperately to remember her grandchildren, fighting an enemy she cannot see, but hear. A loyal hound, bound to a body that is half not his own, with a long, unknown past of traveling. A machine, broken and forgotten, carrying secrets supposedly lost, the sum achievement of a dead man who belonged to a dead organization. A hunter, sitting with her only friend and waiting for opportunity to knock, struggling to leave behind her barbaric routes.

A traitor, handsome of face and dressed finely, charming and charismatic as can be, waiting for his time to strike, plotting and scheming for the grandest of things, and the Courier, who held the key to his victory and did not know it, and the unknown man, carrying the flag of the old world, who was responsible for him being the one to deliver it.

This is a tale of the Mojave wasteland, of that Courier and all the others, some friends, some enemies, all joined and connected by one destiny: the future of New Vegas.

It begins very simply: it begins with a young man and a tune stuck in his head.

The moon was shining amongst the stars, illuminating the landscape of the Mojave wasteland. A man, a youth of twenty-three, walked north along the center of a dusty road, kicking aside small amounts of sand and dirt. His boots were leather, tied tightly with the laces tucked in. His blue jeans were dirty and his hands were shoved into his pockets. He wore a leather jacket over a red plaid shirt in addition to a brown scarf that concealed half of his face. A cowboy hat, simple and not too big, adorned his head.

He strode on, both whistling and humming to himself, occasionally singing a few silent words to a song he had heard on a radio recently, which had, for the same inexplicable reason any song gets trapped and replayed in ones mind, become stuck in his head.

'Blue moon... you saw me standing alone... without a dream in my heart... without a love of my own...'

He carried a courier pack with the NCR flag, that of a two-headed bear, stitched onto the side of it, though he didn't consider himself an affiliate of the army or its nation. The pack was worn on his left side, with the strap hanging from his right shoulder. The pack had some food and water inside of it, along with the package he was to deliver. There was a single holster attached to his belt, with a 9mm pistol inside of it. Every few steps or so would move the combat knife in his jacket ever just slightly, reminding him of its existence.

'Blue moon, you knew just what I was there for... you heard me sayin' a prayer for... someone I really could care for.'

Though his current attire overly masked his appearance, he was in no way a hard man to look at. He had been called handsome on more than one occasion, and with tanned skin, dark hair, bright blue eyes, a rugged and closely-shaved face and a healthy, tall physique, he was more than fit for his job as a wasteland courier, walking from place to place and hand-delivering packages. The Mojave desert was a dangerous land, like any other, and he was fit to survive most of what it had to offer. At least, he liked to think so, having defended himself on occasions in the past from various threats.

'And then there suddenly appeared before me... the only one my arms will hold... I heard somebody whisper "please adore me..." And when I looked, the moon had turned to gold...'

And his good looks didn't hurt either, considering the women he had come to know from time to time. He slid his left hand out of his jean pocket and into his pack, fishing around until he found his package: a small, yet larger-than-average poker chip made out of platinum, as the order had specified. He took it out and squinted as he looked at it, holding it up to the moonlight and turning it so that he could observe the light playing across its smooth surface. It reminded him of a girl back in a small town to the southwest a ways who had a necklace made of silver pearls he always assumed to be fake. Whether they were fake or real didn't really matter to him, they came off like the rest of her clothes just the same: quickly. He chuckled to himself and slid the coin back into his bag as he continued to softly sing the tune.

'Blue moon, now I'm no longer alone... without a dream in my heart... without a love of my own...'

He almost couldn't believe the pay he was getting for this job. It was so simple a package, and so short a distance to walk, relative to some of the past jobs he had pulled. Far away, he could see New Vegas like a shining beacon in the darkness, lighting up the night sky even from the greatest of distances. He couldn't remember one single moment of his life, save for stormy nights, when he couldn't look across the landscape and see the jewel of the city glittering, inviting all those who saw it to come. He had never been, which was part of the reason he was so eager to sign onto the job. That and the pay, of course.

Some noise to the east drew his attention. An echoing, frog-like sound. 'Sounds like geckos,' he thought. 'Damn things.'

While looking to the east for any sign of ambush from the bipedal lizard creatures, he failed to notice an old, broken vehicle lying alongside the road about twenty feet ahead of him. At least, he failed to notice it until it went up in flames, a great inferno of explosive fury that tore the car apart and knocked him to the ground. He stared at the rising fire with panicked eyes, his mind reeling as he tried to keep cool and figure out what was wrong.

He heard noises. People, coming towards him. The fire from the wreck lit their forms: Great Khans. He couldn't tell how many there were, at least seven, maybe nine. The leather-jacket wearing raiders were cheering and brandishing weapons and torches. He fumbled once as he reached for his pistol and fired indiscriminately at the nearest one, managing to kill the man, who sunk to the ground with a surprised look on his face and a bloody hole between his eyes.

The courier considered himself a decent shot, but he knew he wouldn't get that lucky again. The only option was to hightail it out of there. He rolled onto his stomach, narrowly avoiding a spear hitting the ground where he had just been laying, its head sinking into the dirt causing it to point almost straight up. 'Spears? Christ, who throws spears?' were his thoughts as he got up to his feet and ran from the road into the desert.

The Khans took up chase. His mind, going a mile a minute, thought, 'Why the Khans? What the hell did I do to them?' One of them tossed a lit stick of dynamite his way. The explosive fell short, but he still felt the wave of heat and the sound hurt his ears. Another blast went off to his left. 'Shit, shit, shit!'

A house stood in the distance. Knowing he couldn't keep up this chase forever, he decided to take his chances in there instead of out in the open. It was wooden, one floor, with broken windows and a boarded-up door. He knew he probably wasn't going to get lucky with this one and discover a hidden basement or some kind of bomb shelter underneath the house or literally anything to get away from his pursuers. And he still had no idea why this was happening, but he wasn't too keen on thinking too heavily about it at the moment, as they were shooting at him now.

There was a crate next to one of the windows. He jumped onto it and climbed inside, cutting his palm on some of the old glass. 'Shit, that stings,' he thought. It was dark inside. What few rooms this house had were lit only by moonlight coming from the windows.

He heard them nearing the house. Their shouts reached his ears quite clearly: "Get that son of a bitch!" "Hell yeah, we're gonna fuck him up!" "Wooo-hoooo!"

He crouched and gripped his pistol all the tighter. 'Damn, what I wouldn't give for a big fucking gun right about now... or an army.' He heard one get close to the window he had climbed through. He stood up and aimed and fired two shots which missed and six shots which killed the man. He saw others behind him, but he quickly dived aside as they opened fire on the house, their bullets busting through the old wood. He found himself crouching in front of a broken dresser as he struggled to reload under the pressure of the moment. Afterwards, he slid out the knife from his jacket and held it in his other hand.

In a room to his right, he heard someone coming in. Crouching, he moved forward and saw the Khan climb onto a kitchen counter. The Khan saw him too, and as the courier raised his weapon and raider leapt from the counter and tackled him. He tried to shoot but he missed, though fortunately, the man quite literally had leapt onto his knife. The Khan choked out a few garbled words as he died on top of the courier. Grunting, he stood up with the man, now having a much clearer understanding of the term, "dead weight."

Someone else had climbed into another room alongside the one he was now in. He appeared in a doorway to the courier's left and fired at him. The Khan's bullets would have hit him, were it not for the impromptu shield the dead man offered him. He raised his own pistol and fired, killing that Khan as well. He quickly dropped the dead man, taking but a moment to slide his knife out of the man's chest, before he heard someone outside shout, "Did you get him?"

The courier didn't say anything in reply. His mind raced as confidence began to bleed through his fear. After all, he had killed four of them, perhaps a chance for survival yet remained.

"Throw dynamite in!" one shouted, ending the courier's hopes of remaining inside. Though he couldn't hear or see it, the one that had suggested that was smacked over the head by a man in a checkered suit and told to shut up. What the courier carried was far too valuable to risk blowing up.

He went for the kitchen window, praying to god that nobody was watching that particular exit. Leaping from the windowsill, he hit the sandy ground rolling and quickly got to his feet. He seemed in the clear!

A sharp, nerve-racking pain shot through him as a knife was thrown into his right leg, tripping him. The throwing knife stuck out neatly, despite being dug into his flesh. He shouted and grabbed his leg, dropping his weapons as he did so, as he attempted to stand and continue to walk. It seemed like he might be able to limp away, but then, purely on account of the thrower's cruelty, another knife sunk into his leg, only this time it was his left. That put him down for good, as he fell onto his chest, his face buried in the dirt of the desert. He struggled to get up on his hands and crawl, but he was too exhausted. After crawling a few feet, he fell back down.

He heard footsteps. Someone walked around to the front of him. He looked up and saw a nice pair of shoes, then white pants, then a black and white checkered suit with a black tie. The man's face was handsome, with stylish, combed black hair.

The man and his cocky smile was the last thing he saw until one of the Khans knocked him out with a shovel to the back of his head.

"Damn bastard nearly killed half of us," Jessup said as he started to dig in the location Benny had given him. They were in a small graveyard near some backwater town they had passed through on their way to intercept the courier, who now lied not too far away, bound and gagged and still unconscious. As Jessup dug the grave for the man, he continued, "We should just kill'em now, and get outta here, eh?"

One of the Khans, McMurphy, agreed. "He's right. What the hell are we doing?" He looked at Benny, the man with the checkered suit, who was striking up a cigarette with his fancy, custom-engraved lighter.

After sliding the lighter into his coat pocket, he took a drag, blew out the smoke slowly and said, "Look, baby, just be smooth, alright? We'll be outta here in no time."

McMurphy shook his head. The three other remaining Khans kept silent, though they agreed with their two friends. Jessup continued to dig.

The courier stirred. His eyes slowly opened. His vision was blurry, and he felt disoriented and nauseous. He tried to move, finding it very difficult, as a pain shot through his legs. His hands and feet were bound by rope, and gloves had been placed on him. Though it was difficult to hear, McMurphy spoke and he heard the man's words. "You got what you were after, so pay up."

Benny shook his head, seeming annoyed by the Khan. He dismissed the man, saying, "You're crying in the rain, pally."

The courier began to struggle against his bonds as his vision cleared. Jessup heard him and looked over. "Hmm! Guess who's wakin' up over here?" he said to the others. Jessup climbed out of the grave and walked to Benny's left.

The courier slowly looked up, seeing the man in the checkered suit flanked by two Khans. Benny threw down his cigarette, saying, "Time to cash out," as he did so.

The Khan to his right, McMurphy, was a tall man with dark skin, short hair and a pronounced moustache. Like all Khans, he wore a leather jacket over a white shirt, with a white rag-like headband. He seemed irritated or angered by something, perhaps nervous of being caught. He threw his hands out to the side and said to Benny, "Will you get it over with?"

Benny stopped and gave a short sigh, irritated by the Khan's persistence. He held up a finger and spoke, never looking at McMurphy, instead only looking down at the courier. "Maybe Khans kill people without lookin' 'em in the face." He lowered his arm and shot a sidelong glance at McMurphy, adding, "But I ain't a fink, dig?"

The man to Benny's right, Jessup, had pale skin and bright orange hair, with a short beard and a large mohawk hairdo. He held the shovel and seemed fidgety, most likely sharing his comrade's fear of being found out here in the graveyard. The courier looked to his left and saw a fresh grave. He knew what it meant. 'Oh... no, no, no...' he thought.

Benny ordered two of the other Khans to get him up on his feet. They moved over to him and forcefully lifted him up by the shoulders. The courier, dizzy and beaten, offered very little resistance. As he blinked a few times, he noticed the full moon in the distance, as well as the great lights of New Vegas, seeming so near and yet so very far away. Farther now than ever, at least to the courier.

Benny approached him, reaching into his suit's breast pocket and pulling out the platinum chip. He looked at it for a moment, seeing something the courier couldn't comprehend, before holding it up and saying, "You've made your last delivery, kid." He sounded almost sympathetic as he put the chip away. "Sorry you got twisted up in this scene." He pulled out a pistol, a custom 9mm that glistened in the moonlight. The courier's eyes widened and fear ran through him.

Benny got a small smirk on his face as he said, "From where you're kneeling it must seem like an 18-carat run of bad luck." He looked down at the gun, before pointing it at the courier, aiming it right at his forehead.

"Truth is?" He paused, for whatever reason, possibly because he enjoyed the drama of the moment. The courier tried to struggle against the two Khans holding him but it was useless. Benny suddenly put on a nonchalant face, like it was all simple business, and finished, "The game was rigged from the start."

Were he not gagged, the courier would have shouted at the man one simple question. But he couldn't speak. Eyes wide, sweat running down his face, his head was full of questions, but all of them could be summed up with this one: "Why?" He wanted to know why he was hunted, why the man wanted the chip, why it was worth killing him over and leaving him in a shallow grave. He had never thought his death would come like this, and in the few seconds after Benny said his words, he prayed for some kind of a miracle.

Instead, all he got was a bullet to the forehead. The Khans holding him felt him go limp and they dropped him to the ground. Benny walked around and used his foot to turn the courier back over, so the man's bright blue eyes were looking up at the star-filled sky. He shot the man again, in nearly the same place. "The hell'd you do that for?" McMurphy asked.

Benny was getting a little tired of that one. "Because I could," he casually replied.

They buried the courier unceremoniously in the unmarked and shallow grave and left soon after. Benny held the platinum chip up to the moonlight, much like the courier had earlier, only whereas the courier had remembered a woman, Benny looked at this chip and saw his means to bring his plans to fruition. For unlike the courier, this man knew what secrets this chip truly held. As the remaining Khans and Benny left the area, heading south along the road, a strange figure entered the graveyard.

It was a robot, a securitron model, a blue machine that moved on a single rubber wheel. Its face, a television screen in the center of its boxy chest, showed the mug of a cartoon cowboy, specifically, an old pre-war character named "Vegas Vic." This robot's arms ended in three metal fingers, which it used to begin moving dirt from the courier's grave. After it had exhumed the body, it scanned him, detecting very weak life signs.

Whether through the powers above or sheer luck, the courier was not dead. As this securitron looked down at the man, a powerful and hidden entity already began to formulate long-reaching plans and goals, completely reevaluating the current situation and all of its implications. This courier would be the key to it all, a new wild card in addition to the one already on the table; a previously unforeseen outcome but a welcome one, given who now held the platinum chip. But time was short. The securitron knew what to do. Hoisting the courier up, it rolled out of the graveyard and towards the local clinic.

'A bright light... it's surrounded by some kind of maelstrom... a whirlpool... spinning, constantly spinning... now a shape begins to form... some kind of wheel, with a four-pronged handle in the center... red and black squares along its circumference, with white numbers... from one to thirty-six... save for two squares, green, one with a single zero and the other with two of them... the wheel is spinning clockwise, but a white ball along its edge is rolling against that...'

'This small white ball is the most important thing of it... it dictates who wins and those who don't... who takes all, who loses everything... a gamble... a game... a life lost, a life gained... now the table is fading, and something is still spinning... a fan... a fan is spinning... above me...'

The man's eyes had been half-open for some time, but now they blinked. Fresh breaths of air moved past his lips. His vision, watery and blurred, was returning to him, though very slowly.

He heard a voice that sounded both far away and very near at the same time. The voice was soft, comforting. "Huh... you're awake. How 'bout that."

He became aware that he was looking up at the ceiling, and lying in a bed. He struggled to move upwards, to at least attain a sitting position, but he felt a hand on his chest keeping him down. The voice returned. "Woah, easy there, easy. You been out cold a couple'a days now.

He looked to his left. The room was still very blurry, but he could see a man sitting next to him in a chair. In this moment, everything seemed to sharpen a bit, and his sight seemed to come back to him.

"Why don't you just relax a second? Go ahead and get your bearings."

The man was old, with a balding head and grey mustache. From what he could see, he wore dark blue shirt, brown suspender pants, a red neckerchief and leather gloves. Everything behind him was still a little bit fuzzy, but he could make out a hospital-like patient stretcher behind him, a clock on the wall, a shelf and a strange machine against the wall at the far end of the room. The room was constructed of wooden planks.

The doctor sat back a bit and put his hands in his lap. He looked at the now-conscious patient with curiosity. "Can you hear me alright?" he asked. The man nodded weakly in response. "How 'bout speaking? Can you talk?"

He tried to form words. "I... I... talk... whe... wha... who..."

The doctor held up a hand. "Don't push yourself too hard. Might take a moment, but you should be comin' right around now any minute. But, let's see what the damage is." He leaned a little closer, so to the man on the bed, the wrinkles of his face were a bit more pronounced. "How 'bout your name? Can you tell me your name?"

He looked up at the doctor with weak, half-lidded eyes. He thought, as hard as he possibly could, about his name. A storm of thoughts, images, flashes, things he hardly recognized, a flood of information came to him in the span of a few moments and it hurt. He grimaced and shut his eyes tight, but the headache became stronger still. His hands rushed to his forehead, where the pain was greatest.

The doctor immediately stood up to lean over the man, trying to discover what was wrong.

The patient's fingers dug into his dark hair, and he shook his head almost violently. The constant pain did not cease, it only got worse. More and more things were coming to him, flying from him and assaulting his brain. He felt on fire, or hooked up to live electrical current.

His name... many things came to him, but none seemed right. None seemed correct. He tried as hard as he could to focus through the chaos and the pain, but nothing came to him. The answer was lost to him.

Then, it all settled down. The doctor had just injected him with a sedative, Med-X, and the morphine began working through his system, calming him, killing the pain. His arms drifted back to his sides, and his breathing became slow and patterned.

Throughout the steadying pandemonium of his mind, a strange and sudden answer came to him, a solution to the dilemma of what he was called, for he remembered being referred to as something, though not the time, place or the man who was speaking to him.

"My name..." he said, just louder than a whisper. "My name..."

The doctor leaned closer. "What?" he asked.

The man's eyes opened, bright blue orbs fixing on the rotating fan above.

"My name... I was called... Courier Six."

The doctor stood up a bit, wrinkling his nose as he heard what the man had identified himself as. "Courier Six? That's a bit more of a title, don't you think?"

His replies were faded, disjointed. He took regular breaths and paused often. "I am... the Courier... I... am Courier Six."

The doctor's brow raised and he let out a chuckle. "Huh. Can't say it's what I'd've picked for you. But if that's your name, that's your name." He gave the man, the Courier, a pat on the shoulder and smiled, saying, "I'm Doc Mitchell. Welcome to Goodsprings."

The Courier smiled and tried to say, "Thank you," but ended up laying back and falling asleep.

The second awakening was not nearly as violent or painful as the first. It was later in the day, but the Courier did not know how much time had passed. The sunlight that shined in through the cracks of the boarded-up windows was more orange than yellow now, which informed him that it was evening.

He reached up and touched his forehead. A dull ache remained, but no pain came to him like before. He squinted as he tried to piece together his location. He heard footsteps and looked over, seeing Doc Mitchell enter the room with a tray and a bowl of steaming soup.

"Ah, good," the old man said, approaching his patient. He set the tray on a nearby medical stand before taking his seat next to the bed.

The Courier managed to speak. "Mitchell... right?" he asked. The doctor nodded. "Why am I here?"

"Well, you were shot. Buried in the ground. A local... feller, you could say, dug you up and brought you over and I patched you up. That was a few days ago."

"Shot..." He tried to remember. He recalled a bright flash of light, but not much else. "I don't remember it. Where was I shot?"

Mitchell scratched behind his right ear as he said, "Well... that's the remarkable thing, if you don't mind my saying." He pointed to his own forehead, the upper right corner of it. "Two bullets, right here."

The Courier's eyes narrowed. His hand once more found his forehead, and tried to feel around. He discovered a few distinctive lines and bumps. "I was shot in the head? Twice? How... how am I alive?"

Mitchell shook his head. "I 'spose I'm responsible, but even I thought I'd lose you. Bullets to the brain aren't usually treatable." He looked at the soup. "Are you hungry?"

"Yeah... now that you mention it." He sat up in the bed, swinging his legs off the side. His head felt weak, then, and his vision blurred again. It lasted only a moment though as he readjusted to a sitting position.

"Here," Mitchell offered him the bowl with a cloth beneath it. The brown liquid had a spoon in it. He took hold of it and began eating quickly, relishing the taste of the meat within the stew.

"This is good," he complimented. "What is it?"

"Squirrel stew," Mitchell replied. The Courier paused for a moment before continuing to eat. Mitchell went to a nearby shelf and retrieved a handheld mirror. As he walked back, he said, "Now, I hope you don't mind, but I had to go rootin' around there in your noggin to pull all the bits of lead out. I take pride in my needlework, but you'd better tell me if I left anything out of place."

He held the mirror up and the Courier looked at his reflection, setting the spoon back in the bowl. The face seemed familiar, yet not nearly as much as it should, considering he knew it was his own.

Black hair, slightly long and a little shaggy, with bangs that reached his dark eyebrows. Lightly tanned, smooth skin. Sharp features, a slightly broad chin and an angular jaw, healthy-looking lips, muscular cheeks and not-too pronounced ears or nostrils. His eyes were narrow, and his pupils were bright blue. He had a bit of a rugged, unshaven look, with very faint facial hair around his mouth and jaw line. He pulled some hair aside and looked at the scar. Two distinctive marks, slightly red, displayed quite clearly where the two bullets had entered his skull, and where the doctor had sewn the now-removed stitches.

"How'd I do?" the doc asked, shaking him out of staring at the scars.

"I'd say good," the Courier replied. "I think I look alright... given the circumstances."

"Well, I got most of it right anyway. Stuff that mattered. And you're talkin' much better, that's good, too." He stood up from his chair and took the mirror, setting it aside on a nearby table. "Okay, no sense in keeping you in bed anymore. Let's see if we can get you up on your feet."

Mitchell helped support the Courier as he stood up. His legs felt wobbly and it was difficult to stand, the disorientation from his head trauma notwithstanding. But after a moment, he readjusted once more to a standing position. He stood almost a foot taller than the doctor.

"Good, good. Can you walk? Here, wait right here." The old man walked to the other end of the room and stopped by the strange machine. "Here, see if you can walk over here to the vigor tester."

The Courier took a few tentative steps. He felt like a baby animal trying to learn how to walk. Mitchell's voice once more reached his ears. "Take it slow now, it ain't a race. Just ease yourself on over."

He persisted, dragging his feet in front of each other, until he finally got a good pace going and he reached the doctor, standing next to a machine with a gripping handle in front of a screen. Mitchell crossed his arms and smiled. "Lookin' good so far. Now, it ain't exactly a medical procedure, but why don't you go ahead and give the vigor tester a try. It's never done me wrong, so we'll learn right quick if you got back all your faculties."

The machine was an old pre-war parlor game, meant to show how gifted a person was in different areas. It used an internal device to scan a person once they took hold of the handle, giving them an accurate readout of their most defining attributes, and how much they either succeeded in a certain area or by how much they fell short. It rated each category (strength, perception, endurance, charisma, intelligence, agility and luck) on a scale of one to ten.

The Courier looked at Doc Mitchell. "You sure about this?"

The doctor nodded. "We'll do a few more physical examinations, but this will give us a good idea of your entire state. Go ahead and give'er a try."

The Courier shrugged and took hold of the handle. Immediately the machine's screen changed to display his strength. A light went off by the number five, with the words "Average Joe" next to the number. The screen then changed, its various panels flipping and switching words and numbers, to measure his perception. On this one, the light reached seven, indicating that he was a "Bigeyed Tiger." On the next page, which showed his endurance, the results were less satisfactory. He had a score of four, which read, "Handle With Care."

The very next result, however, was double that. Charisma had a score of eight, which labeled him as a "Movie Star." The next result was also satisfactory, as the machine ranked his intelligence as seven, or as the screen put it, "Smartypants." Agility, unfortunately, was not ranked very high, tying with endurance in that it had a score of only four. The machine told him he was a "Butterfingers" in this regard.

The very last result was luck, and it was a five, even in the middle, just like strength. On this chart, the number five was ranked "Coin Flip." The very last screen was a review, showing him the numbers he had received in each category. The Courier then noticed that each of the attributes, when lined atop each other and descending in the order they had been ranked, created an acronym: "S.P.E.C.I.A.L."

Mitchell looked at the results and chuckled. "Heh, good to see them bullets didn't affect your charm or smarts none. And at least we know your vitals are good."

"Is this thing accurate?" the Courier asked.

"Well... usually. Sometimes it's off by a percentage or two. Care to follow me to the other room? Some questions I'd like to ask you, if you don't mind." The Courier shook his head and followed the man into his living room, where there was a couch, a fireplace and some chairs. "Just need to get an assessment of your mental state, see if your dogs are still barking or if those bullets left you nuttier than a bighorner dropping. Have a seat on my couch."

The Courier sat, and Mitchell did as well, but in a red chair which faced the couch. A metal stand, the kind that would hold music sheets, was next to it. He took a moment to open a suitcase alongside his seat before he looked back at the Courier.

"Now... a loose interview, just to get things going. You told me your name was "Courier Six." I didn't find anything on your person to tell me different, but that can't be your real name, can it?"

The Courier thought long on this, but in the end, all he could do was shake his head. "I remember having a name... but I can't remember what it was. Everything is... just blank. But I do remember being called Courier Six. I definitely remember that... just not who said it, now that I think about it..."

"Your papers pegged you as a courier for the Mojave Express. There was an order on your person from the company. Hope you don't mind but I gave the note a look. I thought it might help me find a next of kin... but it was just somethin' about a platinum chip. Sound familiar?"

"Extremely vaguely," he replied, shrugging. "Very little comes to me."

"Well alright... it might be as I feared, but we'll get to that as it comes. I'd like to start with a little word association. I'm gonna say a word, and you just say the first thing that comes to mind. Alright?"

"Okay, go."

"Dog."

"...Loyal."

"House."

"...Shelter."

"Night."

"...Dream."

"Bandit."

"...Trouble."

"Light."

"...Campfire."

"Mother."

The Courier's eyes softened a little. "...Unknown."

Mitchell nodded. "Interestin'... Now, I got a few statements. I want you to tell me how much they sound like somethin' you'd say. Agree, disagree, anything on that spectrum. First one: Conflict just ain't in my nature."

The Courier thought a little. "I guess I'd agree. I think I'd prefer talking things out."

"I ain't given to relying on others for support."

He shook his head a little. "No... I don't think so. Help is welcome."

"I'm always fixin' to be the center of attention."

"I don't know."

"I'm slow to embrace new ideas."

"No. No, I don't think that sounds like me."

"I charge in to deal with my problems head-on."

For a moment, the Courier was still, his head full of thought. "Don't think so. I'd rather think things over."

Mitchell's inquisitive eyes were studying him, taking careful note of every little detail, especially in the man's blue eyes. "Alright. We're almost done, but first," he said as he took out a stack of papers from the suitcase and set them on the metal stand, "Why don't you go ahead and tell me what you see here in these pictures?"

The pictures were strange, symmetrical blobs of white and black.

The first one was odd. He tried to find something in it that resembled something he could recognize, but it was nothing. "It's... a hole in a wall. No... a chemical reaction, maybe. Like... liquid being dropped into something it reacts heavily with."

The doctor moved the picture aside. "Okay. How 'bout this one?"

Once more the Courier scrutinized it, but came up with little. "It's... a sword, or a pen... or something like a... I don't know, some kind of space-age technology. A rocket ship... or something."

"Okay. Last one."

This picture was stranger than the others. He saw more things in this one. "A... well... a light in the darkness. No, a mushroom cloud... or a head on a pillow... I can't be certain. It's a lot of things, I think."

Mitchell nodded. "Alright. Well, that's all she wrote," he said as he put the pictures away. "Far as I can tell, you seem okay, save for a bad case of memory loss. I'd like to ask you a few things more, if that's alright."

"Sure... go ahead."

"What do you know about the world?"

"The entire world?"

"A big picture, I know, but just give me a broad description."

The Courier thought until he was able to put it into words. "The world is a hard place. There was a war... I know that much... that made it this way."

"I'll say. Do you know when it happened?"

"Before I was born. Long ago... but things are still bad."

"What do the words "New California Republic" mean to you?" Mitchell asked, changing the subject.

The Courier's eyes narrowed as he tried to place each of the three words. "Something... I don't know. It sounds familiar... but I feel like I know nothing."

Mitchell nodded. "Alright. How about Caesar's Legion? Ring any bells?"

After shaking his head, the Courier replied, "Nope. Same thing."

"How about New Vegas? Or Mr. House?"

The Courier seemed frustrated now as he reached up and cupped his forehead. "All familiar... but nothing. Nothing at all."

"Do you know what the Mojave is?"

"Yeah... a little... that's where we are, right now... right?"

"In a manner of speaking. We're in Goodsprings, which is in the Mojave, so yes. Do you know what a gun is?"

"Of course," the Courier answered without a second thought. "A weapon. Shoots bullets." He pointed to his forehead. "Think I'd know what a gun is, right?"

"How about a robot?"

"Mechanical devices created by man to do different things from before the war. Still around. Some dangerous."

"Finding water and food, what's that like?"

"I remember that if you can't buy it or make it, food's hard to find. Water... usually bad to drink. Irradiated, or dirty. Sometimes clean, though, that's when it's best."

"Caravans, then."

"Traders and merchants who travel from place to place... usually well-guarded."

"And couriers, then?"

"Couriers... People like me. We carry packages."

Mitchell thought for a moment, making a slight humming noise. "Well... at least you know some things and aren't a blank slate. Seems like only a few things got swept away... or maybe a lot of things and I'm hittin' some lucky nails on the head. Do you remember your childhood? Or your parents?"

"...No." The Courier closed his eyes and tried again, expending as much willpower as he was able, but to no avail. "No... nothing at all... Nothing about... me."

"Curious... selective amnesia, maybe? Never really heard 'bout such a thing, but I 'spose it's possible, given the circumstances of the situation. Still, strange..."

The Courier looked to the ground. 'Selective amnesia...' He looked back up. "Mind if I ask you a question instead?"

"Not at all, go right ahead."

"Can you tell me more about where I am?"

Mitchell sat back a bit and told him, "Well, this here's Goodsprings, like I said. Named after the water we got here, just down the road to the southeast. Goodsprings Source, they call it. It's a quiet town, and that's how we like it. We don't go lookin' for trouble, though on occasion it sees fit to come lookin' for us."

The Courier nodded. "You said I was shot... do you know anything about who shot me? Or why?"

Mitchell shook his head. "Sorry to say that I don't. I didn't see him or the men with him."

"Men?"

"I heard he had a gang. About eight or nine fellers with'im, but they didn't leave town with that many, so it might be that you killed some before they got you in the grave."

"Comforting to know I fought back, at least," the Courier said softly as he considered the doctor's words, trying to remember as hard as he could anything about the circumstances of his "death" but failing at each turn.

Mitchell added, "You might wanna ask around town, though. Could be someone had a better look at 'em or saw which way they was headed."

"So they shot me and... Who dug me up, exactly?"

"That'd be Victor. Curious feller. Sort of odd. And I don't just mean 'cause he's a robot. I couldn't tell you much about him. He's real friendly, don't get me wrong. You just get the sense that what you see and hear ain't the whole picture. Just a feelin'. Keeps to himself, mostly. You wanna know more about him, you'll have to ask him yourself. He has a shack on the southern edge of town."

"So he's a robot? What kind?"

"A blue kind, the ones from Vegas. Nobody really knows why he's here. He claims that Goodsprings seemed as good a place as any to settle, but why a robot would wanna do that, I don't know. Got a picture of a cowboy on a screen for his face, though, so maybe he's programmed to act like one."

The Courier thought to himself for a few seconds before asking, "So... then what happens now?"

"Well, before I turn you loose, there's a physical I'd like to run. An eye exam, pulse, that kind of thing. Then, a simple form to fill out. I've already got everything I need from our little talk when it comes to evaluating your mental health."

"So how do I rank?"

"You seem alright. Your memory loss is cause for some concern, but it might come back to you, maybe in infrequent flashes or slowly, over time. Might be gone forever, I can't right say. But, far as I can tell, I should be able to release you in the morning." Doc Mitchell rocked forward a bit and stood up.

The Courier nodded, standing up with the man. "What'll I do from there?"

"We'll figure that out in the morning. Come on, let's do that physical and get it done with, so you can get to that bed for the last time." Mitchell ushered him back into the treatment area, where he proceeded to assess the condition of the Courier. Sight, speech, pulse, skin color, pupil dilation, a routine checkup. In all things, the Courier seemed normal and physically able.

"You mentioned a few things earlier," the Courier made conversation after the physical was completed. "Like a platinum chip. What was that about?"

The old man went and got a note, telling him it was one of the few things on his person when Victor the robot brought him to the doc's house. "Here," he said, handing it to him. The Courier read it with great interest.

"INSTRUCTIONS

Deliver the package at the north entrance to the Vegas Strip, by way of Freeside. An agent of the recipient will meet you at the checkpoint, take possession of the package, and pay for the delivery. Bring the payment to Johnson Nash at the Mojave Express agency in Primm.

Bonus on completion: 2500 caps.

MANIFEST

This package contains:

One (1) Oversized Poker Chip, composed of Platinum

CONTRACT PENALTIES

You are an authorized agent of the Mojave Express Package until delivery is complete and payment has been processed, contractually obligated to complete this transaction and materially responsible for any malfeasance or loss. Failure to deliver the proper recipient may result in forfeiture of your advance and bonus, criminal charges, and/or pursuit by mercenary reclamation teams. The Mojave Express is not responsible for any injury or loss of life you experience as a result of said reclamation efforts."

"Not responsible for any injury or loss of life," he read aloud, and laughed a little at the irony. "A platinum chip..."

"Know anything about it?" Mitchell asked. The Courier shook his head.

"Can't remember a thing about it. But now I'm damn curious as to why it was worth killing me over, that's for sure."

"Bit of a mystery, isn't it?"

"A bit... you could say that, yes."

When night fell, the doctor bid goodnight to the Courier, before leaving him in the bed he had originally woken up in.

Sleep did not come easily that night for him, however. Hundreds of questions swam in his head, and he had no answers for any of them. Focusing on the cloudy parts of his memory, he tried once more to discover important facts about his past life: who he was, where he was born, who his parents were, what he was like before and what he had done to justify being shot in the head. Was he a good person? Was he a criminal? And just what was the truth behind the platinum chip?

All of these questions were still unanswered when sleep finally overtook him.

"Here, fill this out," Mitchell said, handing the Courier a clipboard. It had a few general questions, most of which related to his medical history. "If you can't answer any of the questions due to, well, you know, just leave them blank. It's really just a formality. Ain't like I'm expectin' to find that you got a family history of being shot in the head."

The Courier looked the clipboard over and started filling in a few things. Under name, he put "Courier Six." After doing as much as he could with it, he handed it back to Mitchell, who set it on a nearby table.

"Well, guess I'll set you loose," Mitchell told him. The Courier was still in his underwear, so the doctor laughed a little and said, "But I think we'll have to get you some more decent clothes, at least so folks don't think you lack in modesty. Why don't you come with me, I've got that and some other things you'll get a lot more use out of than I will these days."

The Courier followed the doctor into his bedroom, where he unlocked a large cabinet. Inside hung a blue jumpsuit along with a few other items. Mitchell reached down and picked up something metal. "I can't keep you cooped in here forever, that's for sure, but I hardly go anywhere nowadays, and it's been years since I last wore this... you outta have it."

He turned around and presented the Courier with what looked to be a metal wrist-console; a kind of arm-mounted computer-looking device with a screen and buttons. It would slide onto one of his arms and lock into place. "They call it a Pip-Boy," Mitchell explained. "I grew up in one of them vaults they made before the War. We all got one. Ain't much use to me now, but I think you'll find good use for such a thing."

The Courier looked at the device, trying to figure out its purpose. Eventually he just asked, "What does it do?"

"Heh, hell, what doesn't it do. It's got a radio, clock, flashlight, compass, Geiger counter, holotape reader, map with GPS, you name it. It'll keep track of your vitals, too, with a little needle that pokes into you. Harmless, trust me. Locks tight onto an arm and won't come off without your say so, less someone really wants it and is willing to saw through an arm to get at it. But on the vitals, it'll tell you where you're hurt, if you've got any poisons or toxins in your system... really, if you're going out there, it'll be a godsend. Trust me. My days of traveling were a lot easier with this thing. It's probably still got all the places I visited outlined on its map."

The Courier listened to all the useful things the Pip-Boy offered, and stuck out his left arm. The doc slid it onto his limb and secured it in place, along with its signature glove. "Now the only downside is you'll have to make room for any clothing you wear for the Pip-Boy. Things like suits or clothes you can just wear it over, but if you ever wear any tougher stuff, you'll need to just cut that piece of the armor off, or ditch the Pip-Boy. I think you'll come to realize it's better to have it than not."

As Mitchell turned around to take something else out of the cabinet, the Pip-Boy buzzed to life. It's screen was bright orange, and displayed a happy-looking mascot, the Vault Boy, giving him a little thumbs-up. Underneath, it read, "Pip-Boy 3000, property of RobCo Industries and Vault-Tec Industries." Immediately, the screen changed to display his vitals, indicating that he was at 100% peak efficiency.

Mitchell turned around and handed him a pistol. "Take this. 9mm, not too strong but reliable. I got ammo for you, too." Mitchell then took out a shotgun, running his hand along the stock with a look of fondness. "Now this little puppy I had some times with. A sturdy gun, this. It's a caravan shotgun, from my travels. 20 gauge shells, two shots and then you reload. Decent spread and stopping power. Got ammo for that, too."

The Courier took both weapons and set them on a nearby table, as Mitchell told him he had more. "You ever run outta ammo, it's good to have something that doesn't need reloading. Here," he said, handing him a combat knife. "This will come in handy, I'm sure." The Courier took the knife and looked at it. It was a little old, but still sharp and useful. "You'll need the jumpsuit in here, too. Came from the vault I was in."

"You're being very generous," the Courier said. "I'm not sure I can take all of these things from you."

"Nonsense," Mitchell insisted. "You'll need it a lot more. It's simple fact. Now, I'll be giving you some stimpaks and a little kit to help keep your weapons clean and in good condition. You don't want your gun to jam or break from the heat and sand that's out there. Food and water, too, along with something nice to carry them all in." He turned around with an old camping backpack, patched in some areas, but otherwise in excellent condition. "You'll be able to focus more on walking and shooting if you don't carry all your items in your arms, after all."

The Courier took hold of the backpack and looked it over. It had various straps and buckles, along with numerous compartments for different things. Mitchell told him to change into the vault jumpsuit, which he insisted was more comfortable than it looked, while he went and fetched a few more things. "Take the old jumpsuit," the man insisted, "it never was much my style anyway."

Wordlessly, the Courier slipped into the jumpsuit, which had a yellow "21" emblazoned on the back. He put the Pip-Boy back on, having observed Mitchell secure it beforehand so he knew how to do it again. The pistol came with a holster, and was already loaded, so he slid the belt around his waist and tightened it. The pistol's ammo, one-hundred and twenty-five bullets, were in small, yellow boxes which he put into the backpack. The shotgun shells, forty of them, also came in small boxes which he put inside the pack as well.

Mitchell came back in, holding a pair of binoculars in one hand, and some sunglasses and a fedora-like hat in the other. "Found these lying around. Take them." He handed them over, and the Courier put the sunglasses and hat on, which fit quite snugly around his dark hair. The binoculars he put into a side compartment of the backpack. Then, Mitchell handed him a metal case, not unlike a gun case. "Here. This one's a bit special."

The Courier looked at him with curiosity before opening it, discovering a strange pistol inside, along with some things that looked more like batteries than bullets. "What is this?" he asked.

"Got it a while ago. Laser pistol and energy cells for ammo," he answered.

"A laser pistol?" the Courier asked with some skepticism.

"Not so uncommon," the doc replied. "They made these things before the war. Some folks are still makin' them today. Good guns, but only if you don't like bullets."

The Courier took the pistol, feeling its grip. It was held like a normal handgun, and still had a trigger, and he figured the doc wouldn't pull his leg on something like this. He put the pistol into the backpack along with its ammunition.

"I'm gathering up some food and medicine for you, so just sit tight for a moment." Before the Courier could reply, Mitchell had already left the room.

The Courier took the backpack in one hand and the caravan shotgun in the other and entered the medical room. He set both down on a table, before something caught the corner of his eye. A broken gun, discarded, atop a dirty crate. He knelt to inspect it. Chambered for 9mm bullets, yet a submachine gun. He knew its rate of fire was faster than the pistol he wore at his side, and strangely enough... he knew how to fix it.

The doctor found him a moment later and was surprised to see him loading bullets into the repaired SMG. "Did you fix that old thing?" the doc asked, slightly dumfounded.

"I did," the Courier replied.

"How?"

"Hope you don't mind. There was some spare scrap metal on a nearby table. The gun was jammed, and had some other minor damage, easily fixable, really."

"No, I mean, how'd you know how to do it?"

The Courier paused. "I just... knew how. I looked at it, saw what was wrong... and fixed it."

Mitchell's hand ran over his balding head. "Remarkable," the old doc muttered. He looked into one corner of the room, seeing his chemistry equipment. An idea jumped into his head. "Say, come here," he brought the Courier over to the set of beakers and glass tubes. "What do you see here?"

The Courier studied the set. "Chemical. Antibiotics... disinfectant. Ideas..."

"Ideas?"

The Courier nodded. "You got any empty syringes?" The doctor nodded his confirmation. "Sterilized?" Again, Mitchell nodded yes. "Please, get them for me... Ideas."

The old man was excited. He fetched them and gave them to the Courier, who before his very eyes began working with the set, creating the proper combinations of various liquids and chemicals to formulate medicine. "Stimpaks," Mitchell breathed. "You must've known how to make them before you got shot. You must somehow still remember how to make them."

"I guess so," the Courier replied with a smile, holding up a syringe. The stimpak, filled with clear liquid, would quicken any wound's healing and provide a pain-killing effect, though not as acute as pure morphine. "Mind if I keep them?"

"Go right ahead," Mitchell told him. He ran (or walked quickly, rather) and got the medical case he had prepared for the Courier's travels. "Here. Some stimpaks in this, along with a little anti-radiation medicine. It's called Rad-X, useful stuff to take when you hear that Geiger counter tickin'." The Courier took the case with a thank you before the doc once more vanished, only to return with some food wrapped in plastic, along with some bottles of clearn water.

The Courier took all of it and put it into his backpack, thanking the doctor once more. "You know doc, you've given me so much, I'm starting to feel like I'm going to have one hell of a bill to pay."

Mitchell shook his head, completely serious. "Now, now, it's what I do. It's my job to patch folks up, you know."

"Is it also your job to hand them a pistol, shotgun, SMG and laser pistol, along with stores of your own food and medicine?" the Courier asked with a wry smile.

At that, Mitchell laughed. "Well if I did, a lotta folks around here would be better armed, I'll tell you that for free. No, Courier, you're special."

"How?"

Mitchell turned to walk to a nearby window, peering out between the planks of wood that covered it. "Because... you were left for dead by murderers and thieves. They took something of yours, and that ain't right. You almost died, but somehow... you have a second chance. I figure that makes you special. You got a score to settle. I... know what it's like, having something taken from you."

The Courier was silent for a moment. "You know... you never told me about yourself, doc. I'm a little curious now."

Mitchell looked at the younger man. He crossed his arms and began, "Well, I already told you I came from a vault. Vault 21, in case the number on the suit there wasn't a strong enough hint. After that, was a traveling doctor for a spell. Seemed like a good idea at the time. Most folks out there ain't educated, so people with medical knowhow are hard to come by. Found that I could help a lotta people with what I know, and that was alright with me. Eventually, I went back and married my childhood sweetheart and that was the end of my traveling days." He sighed, and looked back out the window. "Didn't miss it none then. Still don't."

The Courier looked around the room. In all his time here, he hadn't seen a woman. He fixed his eyes upon the doctor once more and said, "You... said you had something taken from you?"

The doctor slowly nodded. "Well, ain't we all, right?" He looked at the Courier with a soft expression, a fond one, yet weathered and sad. "That was a long time ago. I don't pay it much mind anymore."

The Courier didn't reply. He looked away and said, "Well... I suppose I should leave. Where do I go from here, exactly?"

"Well, you'll probably wanna talk to Sunny Smiles before you leave town. She's a ranger, and a trapper, too. Helps protect the water source from various things. She can help you learn to fend for yourself in the desert, just in case you can't remember any tips like that. There's also a general store run by a feller named Chet. Good man, though a bit hard to bargain with. Trudy runs the local saloon, that's where you'll probably find Sunny, but Trudy's also privy to a lotta the goings on around here. I'd talk to her if you wanna find out more about those men who put you in the dirt. There's also the robot who dug you up, Victor. He might be out rollin' around, you never know, or you could try his shack."

The Courier nodded as he listened to each piece of advice. "Alright... I think I got it. Thanks for all the help, doc. Really, I don't know what else I can do."

Suddenly, the old man's eyes widened. "Wait! I forgot one thing." He moved into another room, then returned with a small bag that made jingling noises whenever he shook it. "Caps."

"Caps?"

"Don't remember that, huh? Bottle caps. They're money. Use them to trade, or buy. You'll get'em in selling. I don't have much, twenty-seven last time I counted, but you need them. Here."

The Courier thought about denying the man the money he was offering, but accepted it. "You've done a hell of a lot for me, doc. Patching me up, loading me up with all of this... I honestly don't know how to thank you."

"You just find those men who shot you and take back what was yours," Mitchell said. "That's all you can do. And also... try not to die again, alright? Keep your head out there."

The Courier nodded, tipping his sunglasses down a little. "Once more, thank you, doc."

"Don't mention it."

The Courier turned and moved towards the front door, opening it and shutting it behind him. The sun, even through the dark glasses, made his vision go blurry for a moment. The wind hit him, a cool breeze amidst the hot day. Before him lay the small town of Goodsprings, for the good doctor's house was built atop a hill, offering the Courier quite a nice view of the quaint community.

Beyond the town laid the rolling hills of the Mojave Wasteland, and in its center was New Vegas. Within the city's walls, amidst its neon lights and great buildings laid the Lucky 38. And within that ancient tower waited its master, the master of all of New Vegas, his eyes fixed keenly upon the Mojave below, waiting for the inevitable arrival of the Courier, that he might hand the youth his destiny on a silver platter.

Thus truly begins the tale of the Courier from the Mojave Wasteland, for he knew not who he truly was or where he was from, and would not know these things until much, much later. But all in good time. For now, he was simply a man who had survived an experience that would kill most others, who now was on a quest to find the answers to his many questions. Little could he know that he had been set on a course that would lead him to decide the entire fate of the future Mojave and New Vegas... but what choices did he make?

You will know the entire tale... soon.

End of Chapter 1

When playing New Vegas, I had to find a way to roleplay why the Courier would ask all these questions "What is the NCR" and "What is Caesar's Legion" and "What do you think of Mr. House" and stuff. In Fallout 1 and 3, you lived in a vault with no knowledge of the outside world. In Fallout 2, you lived in a village and as such only knew what they knew (and who knows if they lied or not about certain things). In New Vegas, the Courier has no backstory (save for very few possible dialogue choices). Putting aside normal curiosity, for me it became a simple issue of roleplaying why the Courier was asking all these questions and needed to be taught so much, even though you can essentially do so much at the start of the game: Amnesia.

A tired plot device to some, sure, but I like it. I've never done it before, and the appeal of figuring out who you are, literally, has always been something I enjoyed. I believe that in the context of New Vegas from a pure gameplay/story perspective, you'll understand why I chose to do this.

I'd like to clarify that I decided to write this as I'm taking a short (SHORT) break from the Wandering Pair. I've still got a month before college starts again, so I figured I'd do a little bit of work on this story, just to try other things (within the same universe, but still).

Look for more in the future!