A lot can change in 24 hours. A routine movie night turns tense when, while discussing a yet unsolved case, Maura suggests that she and Jane have a similar relationship to that of the dead victim and her lover. Jane reacts poorly, but when the murderer suddenly appears, more than their friendship is at stake. Even if they manage to smooth things over, will it be in vain? Rizzles.

Before Jane can answer, Maura helpfully pipes up. "Jane has been having a recurring dream of an explicit sexual nature involving me and it's making her uncomfortable, so I was just trying to get to the bottom of why." Jane/Maura.

This aspires to be a series of oneshots derived from that final scene in 3.8. Because seriously, it had the potential for so much gay in so many ways to be limited to just ONE oneshot.

Maura sets Jane up on a date with the perfect man. It's only while Jane's on that date that Maura figures out she's made a mistake. But really, a little wine always fixes these sorts of things, right? One-shot. Rizzles.

The candid moment startles the both of them, seems to rattle the foundation of the facade Jane wants so desperately to keep up so she doesn't have to try and deal with the kinds of feelings Maura breeds within her. Jane/Maura. Not a ranch AU.

"I also met someone," Maura says, the encounter coming to her suddenly, a bright anomaly in the rehearsed list of routine meetings and dialogues.

when it happens, it happens by accident. j/m. post 'remember me', mild m for sex that's just a cut above fade to black. just a oneshot- if you're craving more, take a look at my other stuff! reviews appreciated.

Maura lies, but only a tiny little bit. And only to help Jane on her way. Oneshot, femslash, super fluffy, set sometime in the beginning of the second season, pre Hoyt's return. J/M. Rated for obvious reasons.

After a bet with Frost, Jane and Maura climb into the trunk of a car. Things happens. - Based on tweets written by @JaneRizzoli on Dec 19, -11.