it quickly becomes apparent that her hearing wasn't all that she lost in Islamabad. (Season One AU.)

A man dies. The mission lives on. (One-shot. Post 3.05)

They're both in the woods and he knows it, and Mac's in danger and Will never had a choice in choosing his sisters and his mother but he's pledged his life to MacKenzie and he's chosen to protect her and it means something, even if the simple platinum band was taken from him during inmate processing. (Spoilers for 3.04 and 3.05.)

After the stabbing the Navy doctor told her it was highly unlikely that even she did conceive that it would implant, that between the adhesions and the depth and angle of the knife wound she would probably never carry a viable pregnancy, and yet here she is, staring at two pink lines on a stupid white stick ten days after her husband was thrown into federal prison. (S3 spoilers.)

Three weeks after the ultrasound technician tells them it's a boy, Will finds himself back in therapy. Sequel to "A Time to Keep" and "Bolt", WIP.

When Mac and her team go missing for a week in the Khyber Pass, Will spends the night drinking with Charlie and makes a pitch he wouldn't otherwise, committing News Night to ten special broadcasts from Camp Hook in Afghanistan. (HO&LG/Pre-series AU.)

"Will doesn't know what kind of luck you have to have to catch fucking pneumonia ten days after getting engaged." A week and a half after Election Night, things aren't exactly going as Will planned. (Post S2, One-shot.)

"Stiltedly, as if they don't quite remember how, her fingers pluck out the chorus to Sweet Child O Mine until she's able to play it at something resembling tempo." A month after their engagement, they're still adjusting to each other. (Post S2. One-shot.)

"Actually, I've tried to get in touch with you a lot of times in the past three years. Did you get any of those emails?" "I didn't read them." In the uncertain hours following Mac's stabbing in Islamabad, Will reads the emails. Each and every one. (Pre-series AU.)

"She's tried running. Miles and across the sea and back. And she's tried grinning and bearing it, and breathing through it, and yoga, for a bit." Will finds Nina. MacKenzie tries writing, and finds herself along the way.

"MacKenzie knows that she needs to uproot and leave before she rots where she's planted." 2.06 AU; the Genoa story never goes to air. Now complete.

All the loose ends we leave behind, unspooled threads of twine that tie us together, what do we do with them? —Six shots ring out on the twenty-third floor of the AWM building at just past one-thirty in the afternoon. (Post-Genoa retraction AU. WIP. Ensemble, Mac-centric.)

"Considering how tightly she has her arms wrapped around his shoulders she knows how troubling the good can be, too. And Will, she thinks, has never really known how to have things." That too, is a choice. Will's father calls after the American Taliban broadcast. (AU after S1, one-shot.)

"You're here, in New York. You can't help anyone in Nebraska right now. Just take a minute, Will." What happens after the end of the broadcast where Will's father dies. (Post 2.05, one-shot.)

"She has to believe that their victory in this war of attrition won't be hollow." Dantana's law suit enters the discovery phase, and MacKenzie is ten days late. (Post S2. One-shot.)

"It takes Will about twenty minutes to crack, and Charlotte doesn't even have to ask." Or, how the McAvoys acquire a dog without Mac's knowledge. (One-shot sequel to "A Time to Keep.")

They meet as strangers six years later at charity event, years and the whole of the Atlantic between them. One-shot AU. "What if Mac had never had Jim in her life?"

"The intern doing the overnight book doesn't recognize her name, but gives pause out of professional consideration at the yellow iNews alert that a CNN field producer has been stabbed and killed while covering a religious protest-turned-riot in Islamabad." Mac doesn't survive the stabbing. Pre-series AU. One-shot.

Saying "I love you" won't solve all your problems. Those you still have to figure out for yourself. (Post 1.07 AU. WIP.)

'To every thing there is a season, and a time to every purpose under the heaven.' The next year in the lives of Will McAvoy and MacKenzie McHale, and the moments that make it worth living. (Post S2, one-shot.)

It is Sandor who stands with her as she tries to untangle the knots that tie her down to the past in the bones of her home, when at last her pack returns to her. (Post ADWD. Oneshot.)

They had told the staff to get some sleep while maintenance worked to bring the generators back on, but Mac isn't sleeping. Neither is he, obviously. (The answer to the question of why Will was waiting outside of Mac's meeting with the lawyers. Set during 2.07.)

She hasn't slept in over twenty-four hours, and she's still got miles and hours to go until she intends to rest. (A version of 'Under the Waves' where Mac comes home before the Ghouta attack, no one gets sarin dropped on them, and everyone is a lot happier. 2.09 AU.)

She tries to hold out, for longer and longer, like a child holding their breath under the water. Eventually she'll drown, or come up for air, lungs burning. Either way, it'll be over. She'll be done running away. (Will doesn't have his revelation on Election Night, and by Friday, MacKenzie has decided to embed again.)

Alternatively, Mac Gives Will a Sex Injury. (Very Post S2.)

(...our arms fill with miracles.) What if Mac had brought Jerry up to the News Night floor to answer for what he'd done? How would that have changed things?

Sloan studies the scene around her. It's like sixth grade life science, she thinks—kingdom, phylum, class, order, family, genus, species. Life has its own taxonomy; finding where you belong in the order of things. (Sloan Sabbith's first morning as someone's mother. Very Post-S2.)

Should old acquaintance be forgot... inadvertently ask her to marry you twenty years later. (Pre-series/Post-Season 2.)

To eleven-year-old Will, there was no prettier woman on the face of the planet than Rosemary McAvoy. (Christmas, 1976.)

Five Christmases in MacKenzie McHale's recent past, and her first one as Mrs. McAvoy.

"So tell me, Cinderella," he said, after they'd kissed and kissed and kissed. (Post-Election Night pt II, canon compliant)

They've built their homes, their native lands, in each other. Post 2.09.

...don't be afraid anymore. (Or, five other ways Will and Mac could have gotten back together before Election Night.)

The morning after Election Night. Mac thinks on sailing metaphors, and, of course, Will. Spoilers for 2.09.

Years later, they both drift into the same working class town. She gets a job as a waitress, he as a construction worker. Sometimes he sees her after shift. They see, and say nothing. Time has taught them to keep their mouths shut. (Modern AU, one-shot.)

"Aerilons have good poetry." He pulled an earlier verse from his head, his lips around her earlobe proving a good conductor for the memory. An Early morning on New Caprica.

'Where you die, I will die, and there I will be buried.' Life, and death, on Earth. (Post-series, CD warning.)

They were all pieces on the board, but they were all interchangeable. (This is the story of how Kara Thrace became the dying leader. S4 AU.)

There's a story that the smallfolk tell about Sansa Stark and the night she threw herself from the Eyrie. Westeros is six years into winter... and two unlikely people find their way to the Vale, where they find out an unlikely truth about the night that Sansa Stark was supposed to have died, and the light that can be still be seen shining from the Eyrie. WIP.

Laura Roslin had meant to die alone. Takes place between Res Ship II and Epiphanies.

Five years on the run from the Lannister gang, outlaw Sandor Clegane drifts into a sad little town and discovers something to start living for. Four years after being abandoned by Geoffrey Lannister in a sad little town, Sansa Stark, now a madame and working girl in Peter Baelish's brothel, finds the man who can help her escape her cage. SanSan Wild West!AU.

When the cylons land on New Caprica the colonial fleet is unable to rescue them, and Laura Roslin is left in a much more despairing situation than originally thought possible. Seventeen years later, the story of the Colonists begins yet again. BSG with a dash of Hunger Games. AU after LDYB II, OC heavy.

"Think a little kinder of me, Sandor." "Sansa, think kinder of you, I could not." Set in the way-far future, when the war is over and the fighting is done, when the only thing standing between them and love is politics and stubbornness. Post ADWD, one-shot. Fluff.

Before he rides into battle, Sansa wants to give Sandor her favor. But he won't accept that-or any of her other favors. Post ADWD. Rated for Sandor's mouth.

It is the end of humanity's winter, and Tamara is reborn over sixty years after her first death. No Exit AU.

"My lady?" he stammers, and she knows that he is seconds away from either an apology or an apoplexy. (He may not always be charming, but she'll make a prince out of him yet.) The Lady Mary Tudor and Imperial Ambassador Eustace Chapuys as the Sleeping Beauty and Prince Charming in the court of King Henry VIII. Obviously inspired by OUAT. Fluffy crack!fic.

In which Henry dies in 1532 and everything vastly changes from there. (Mary is not the only Tudor who finds herself in love with a person much below her station, and proves that she'll do anything to have her beloved commoner at her side.) One-shot, Mary I/Eustace Chapuys.

Sansa has survived Littlefinger, but not without cost. Sandor is paying for his sins and has no where to go. They both wind up at the Wall, and learn about breaking down some walls of their own. Allusions to violence and non-con.

They find each other again, after they die and are reborn. She is not the sweet summer child he loved, and he is not the Hound who protected her-but they still have more to offer each other than they think. One-shot future!fic. Rated because of Sandor's mouth.

Raised far away from the intrigues, lies and deception of Washington DC, Sansa Stark is left to fend for herself against the Lannisters in the ashes of the life she has always known. But is she truly alone in her fight? Modern!au

He never expected a happy ending, but he always thought that he'd be the one to die. Title taken from Alfred Lord Tennyson's In Memoriam, Verse 50. Sansan one-shot; CD warning.

A fortnight after Sandor Clegane rescues Sansa Stark from the Vale, the tensions that have arisen due to the interceding years between their last meeting come to a head. Sansan, one-shot.

Sandor Clegane and Sansa Stark are dead. The only thing they have left is to live. A teeny tiny ASoS AU which puts our pair back together again in the Saltpans. Rated T for Sandor's mouth.

She understands why the groom wraps his cloak of protection around his bride. This has all felt more real than anything in her life, like nothing else has felt since her father's head was placed on a pike. Blackwater AU, SanSan.