Balance
Waiting
Quiet, quiet, quiet - buzzing in his
ears. So old a silence he forgot. Names. Language.
Little sister, squalling in the corner.
Harsh, a sound he couldn't know. It was all he remembered. Poor little sister,
crying on the floor.
It was red. The floor. Cracked and
peeling, like paint. Not red - dried - on the floor, in the dark. Was it night?
It was always night.
Red, but not. On their skin, cold and
dead and parental. Too quiet to know names. Little sister, little sister. Red on
her, staining black hair. What was her name?
Little sister.
Like his name, if he remembered, soft
on the sand, he'd left. Leave the house, leave the dead, decaying bodies, the
blood.
On his hands?
Maybe if he knew, had the words. But it
was quiet in the desert - shifting, strange sand beneath bare toes. He was
waiting, for that long dead man who'd promised.
Father?
Questions. But it was night, quiet. How
could he know?
A beam broke the hollow black, unmelted
glass desert. His dirty clothes were chipped, dull brown. And his hands -
itching. He wanted to scratch, but not to bleed. They were already family.
The light was a car. The long dead man.
Golden. Like eyes.
Legato had been waiting.
note: This is the direct result of reading William
Faulkner. And yes, I do know that stream of consciousness is supposed to
be first person, but much as I love the guy, I don't want to get that close to
Legato's cracked mind. 'Sides, I'm not entirely sure he even thinks very
much like that. I could see him mentally being in a permanent third person
state of mind. Really. I'm not just making up elaborate excuses for
myself. Oh, and the gratuitous Legato's little sister reference was way
out of line. 'Specially without proposing an fate or identity for the
kid. Sorry. Oh and . . . sand!
Trigun is copyright (c) Yasuhiro Nightow and Young King
Ours.