Balance

Waiting

Quiet, quiet, quiet - buzzing in his ears. So old a silence he forgot. Names. Language.

Little sister, squalling in the corner. Harsh, a sound he couldn't know. It was all he remembered. Poor little sister, crying on the floor.

It was red. The floor. Cracked and peeling, like paint. Not red - dried - on the floor, in the dark. Was it night?

It was always night.

Red, but not. On their skin, cold and dead and parental. Too quiet to know names. Little sister, little sister. Red on her, staining black hair. What was her name?

Little sister.

Like his name, if he remembered, soft on the sand, he'd left. Leave the house, leave the dead, decaying bodies, the blood.

On his hands?

Maybe if he knew, had the words. But it was quiet in the desert - shifting, strange sand beneath bare toes. He was waiting, for that long dead man who'd promised.

Father?

Questions. But it was night, quiet. How could he know?

A beam broke the hollow black, unmelted glass desert. His dirty clothes were chipped, dull brown. And his hands - itching. He wanted to scratch, but not to bleed. They were already family.

The light was a car. The long dead man.

Golden. Like eyes.

Legato had been waiting.

note: This is the direct result of reading William Faulkner. And yes, I do know that stream of consciousness is supposed to be first person, but much as I love the guy, I don't want to get that close to Legato's cracked mind. 'Sides, I'm not entirely sure he even thinks very much like that. I could see him mentally being in a permanent third person state of mind. Really. I'm not just making up elaborate excuses for myself. Oh, and the gratuitous Legato's little sister reference was way out of line. 'Specially without proposing an fate or identity for the kid. Sorry. Oh and . . . sand!

Trigun is copyright (c) Yasuhiro Nightow and Young King Ours.