A/N: This one tells the story of why Lisbon gets mad so often. I had the idea for this as soon as I finished Smile but it took a long time to find the right song.

I do not own Crazy by Patsy Cline.

Crazy
I'm crazy for feeling so lonely

Cho says he'll be right over. She can hear a woman's voice in the background.

She feels bad for breaking up his date, but it's part of the job description.

She feels worse about the fact that she can't remember the last time she was on a date and got a call to a crime scene. Is her life really that pathetic?

It must be her time of the month. Normally these details don't bother her. She can practically feel herself sinking into a well of depression as she drives into the setting sun on her way to yet another murder.

This is very unprofessional. She needs to get a hold of herself.

Jane show up, commiserates instantly with Cho for having to abandon his date.

This only makes Lisbon feel worse. She overcompensates by biting everyone's head off.

Jane looks up at her, surprised. In the flash of his eyes she knows he understands, completely and unreservedly.

Then he's teasing her about it being her time of the month and she focuses on being only snippy with him (because the others don't deserve it and after all that's what he's trying for) and things gradually return to normal in her brain.

He takes her for a midnight snack after solving the case like a whirlwind. They don't mention Cho's girlfriend.

I'm crazy
Crazy for feeling so blue

Jane has amassed another five lawsuits. She's almost impressed. That's a new record for one case.

She's so tired. So very, very tired. She wants to go home and let the world forget about her. Suddenly she's incredibly jealous of Sleeping Beauty. Or Snow White.

But now Minelli's upset and he's threatening to get rid of Jane if he doesn't smarten up and that's her cue to apologize and go yell at Jane but she's so tired...

Jane doesn't even turn his head when she calls his name. So here she's yelling at him again. The look on his face when he does turn towards her is so insolent she can't stand it. She's never going to get through to him.

She just doesn't have the energy to get mad at him right now. It's been a long week. Too long. She's just going through the motions. Raise your voice on that particular word, storm across the floor just so, give him a soul-shrivelling glare.

She's good at it, but Jane sees right through it and teases her about being 'fake mad'.

"Bite me!" Okay, after that effort she has no clue how she's going to drive home or make it up the stairs, but at least Jane knows now that she really is mad at him, even if she can't muster up the verve to show it properly.

At home, she crashes on her bed. Tomorrow, she's going to yell at Jane again because that's the only time he sits up and pays attention. She's going to kick him awake again because it's the only time he truly looks at her. She's going to get upset again because it's what's expected of her.

Tomorrow. Tonight she's going to lie here and hope for sleep and wonder how her life became such a mindless routine.

I knew you'd love me as long as you wanted
And then some day
You'd leave me for somebody new

She likes having Jane around most of the time. He does cute little things for her that with any other guy would mean he liked her. But she knows the score so she's not disappointed.

But then he buys her a box of her favourite chocolates for Valentine's Day and something snaps inside of her.

"Thanks for rubbing it in that I don't have anyone else to give me something!" she snarls.

Jane bows his head and walks out of her office, leaving behind the chocolates. He watches from his couch as she devours them. He knows why she's so mad but there's nothing he can do about it.

He likes spending time with her too but he cannot make her a promise of any sort. He's going to kill himself after killing Red John; he will never be with her.

They both know this (well, maybe she doesn't know that he's going to kill himself) and normally they can live with it. He hides behind little gestures and she hides behind her impatience and annoyance.

But every now and then it gets to be too much. Every so often they find themselves sitting in their respective kingdoms - he on his couch and her in her office - and they wish things could be different...

Worry
Why do I let myself worry?

Her father always had the same look on his face when he was mad enough to hit her. It wasn't a look that she could describe, but it was unmistakable. To this day, whenever she sees that look on someone, it makes her want to run and hide and cower in the corner like a scared little girl.

She was fifteen years old the first time she saw that look on someone else's face.

Her oldest brother had been doing drugs at school. She was yelling at him, berating him for his stupidity, when she caught a glimpse of her face in the mirror. It could have been the twin of her father's.

The shock was so extreme it snapped her out of it. She watched as all the blood drained out of her face.

She almost fainted that day.

Wondering
What in the world did I do?

It is so paralysing to be afraid of yourself.

All Lisbon can think of is the look she saw in the mirror. How often has it been painted across her face without her knowledge?

She holds in all her anger for five days. Refuses to show the slightest bit of annoyance. Then her friend tells her she's looking tense and the anger completely overwhelms her. She literally sees red and she's screaming at her friend before she can stop herself.

She runs away before she can do something worse. Her friend doesn't talk to her ever again.

Through trial and error over the next two years she discovers that if she lets her anger out halfway it won't overtake her like that again. She finds friends whom a little anger wouldn't scare off. She never hits anyone when she's mad, a matter of personal pride. (A small slap when annoyed, doesn't count.)

At the police academy she's seen as authoritative, a take-charge kind of girl. This is a compliment. She gets promoted to head of a unit and discovers that her personality is perfect for the position. She's finally found her niche.

She tries to hide her start when Jane says casually that most cops have a brutal streak. How could he possibly know?

Oh, well. Years of practise have ensured that she will never lose her cool like she did in her brother's bedroom ever again. And Jane will keep her secret.

Oh, crazy
For thinking that my love could hold you
I'm crazy for trying

When Jane disappears she falls apart.

That is to say, she wants to fall apart, but then she'd get fired. She needs to find a way to keep going.

So she focuses on her anger. How dare he leave? She can't think about the fact that he might be dead because she'd feel guilty for being mad.

Her team stops talking to her. They know what's wrong but can't do a thing about it. She feels horribly guilty for taking it out on her team but can't seem to stop herself.

When Jane comes back she's even angrier than before. He doesn't have the grace to even feign contriteness.

She's stupidly delighted when her team says they're standing behind her and not Jane. Take that, you insensitive clod.

And things go back to normal, except now she knows she needs him. It's a terrible thought. She must be insane.

And crazy for crying
And I'm crazy for loving you

She's horribly upset. How could Jane have slept with Lorelei?

It doesn't occur to her to feel betrayed. All she can concentrate on is how Jane betrayed himself. How can a man with a wedding ring sleep with the mistress of her murderer?

He's destroying any sense of humanness he had left. It's killing her to watch it. She knows if she says anything he won't hear her but she has to try.

He's dragging her down with him but this thought doesn't even cross her mind. She's not trying to fix him to save herself. She's doing it because she cares about him, and doing it even though she doesn't think he cares about her.

Jane gives her one last look before climbing up to his attic. She's the only person he knows who gets unselfishly angry. It almost makes him pause and listen to her. Almost.

Crazy for thinking that my love could hold you
I'm crazy for trying
And crazy for crying

She's so mad she's crying. She doesn't ever remember doing that before. She never was so mad at him before, either.

She'd actually thought he'd begun to change. He'd got Red John, was learning to obey orders, was respecting her boundaries... What a joke. She'll obviously never learn.

He'll never change, and she's the only one who can't accept that.

When he shows up at her hotel room door, she's feeling physically sick.

She's yelling at him, saying terrible things, trying to hurt him, and why? Because she's finally realized that she's an idiot for loving him, for thinking she could help him.

She hates herself. How much of her life has she wasted on him? She doesn't feel guilty for anything she says. He won't care, he never did.

She's not trying to get through to him anymore. No, and she can't hide the fact that she loves him anymore. But maybe, just maybe, by getting mad at him like this, she can convince him that she's done with him for good.

Maybe she can convince herself.

And I'm crazy for loving you

The honeymoon phase, in their case, lasts until Abbott walks into TSA holding.

Then Jane insults a guard and laughs at Abbott and embarasses her and despite her best intentions she finds herself glaring at him.

Now he's leaning on her in order to walk out of the room and when his hand slips way too low down her back - again - she whacks his stomach and he's complaining about police brutality.

She's grumbling on the outside, but on the inside, her heart is singing. She's remembering something she forgot long ago, something she'd shut away somewhere along the long road that's brought her here.

She gets mad at him because she loves him.